Cyndi Lee Interviews Matthew Remski about Working Through the Abuse Crisis in Modern Yoga and Buddhism (+ transcript)
Notice: This interview is part of the Yoga of Healing and Awakening Summit, a free online event featuring essential depth teachings and daily practices for your body, mind and soul. This recording is a copyright of The Shift Network. All rights reserved.
Welcome to the yoga of healing and awakening summit, a free online event where you’ll discover essential depth teachings and daily practices for your mind, body, and soul. Share these visionary masters and esteemed practitioners with your friends and family and join us on Facebook at The Shift Network. And now your host, Cyndi Lee.
Cyndi Lee: 00:24
Welcome everyone. We’re so glad that you’re joining us and today I’m really pleased to introduce my special guest and friend, Matthew Remski. Matthew Remski is a yoga teacher, industry consultant and author of nine previous books including Threads of Yoga, a remix of patanjali’s yoga sutras with commentary and reverie, and the survivor of two cults. His work has been pivotal in illuminating the shadows of globalized Yoga and Buddhism and showing that disillusionment and critical inquiry can be gateways to mature spirituality. Matthew, thanks so much for being with us today. Welcome.
Matthew Remski: 01:08
Thank you so much, Cindy. Thanks for the welcome. Thanks for inviting me to do this. It’s a pleasure to meet you finally.
Cyndi Lee: 01:14
Yeah, maybe some day we’ll meet each other in real life. Exactly. So you sent me your recent book, All is coming, which I read and I’m familiar with. And I would say that you’re doing some very specific work right now in the Yoga and Dharma communities that I don’t know if anyone else is doing, both uncovering of variety of abuses and abusers that may or may not have been widely known. And also what I was especially moved by and encouraged by was that you’re pointing away forward, that you’re doing really crucial work in giving us a path forward and what seems really yogic and really Dharmic to me is taking quote-unquote poison and transforming that and working towards Buddhist principles such as non-harming and Buddhist principles such as clarity and compassion. And so that’s kind of a long statement, but I’m wondering if you could talk about that.
Matthew Remski: 02:27
Well thank you first of all, but I’d have to say that it’s really a privileged position to have been able to take a number of years to put this book together, but it really sits on the shoulders of especially women who have been in smaller forums, generally talking about power abuses within the younger world and the Buddhist worlds for a long time. So the people who have been very influential to this project include, Donna Farhi who has done a lot of coverage of the yoga world and especially the Iyengar world. And then the survivors themselves who began to step forward, including the first person who really alerted me to the severity of the abuse history within Ashtanga Yoga, my friend Diane Bruni here in Toronto…
People like Diane and then the people who were able to give testimony for this book, they’ve been holding these stories and their responses to them and their own ways forward for a long time. And so the book is really capturing the crest of a wave. I’m really grateful for, for all of the work that’s gone before me. And as far as a way forward goes, I do have some proposals that come out of the research, and listening that I’ve had to learn to do to the survivors of sexual abuse within yoga communities, but also from my own experiences as a cult survivor and my review of the cult analysis literature.
So yeah, there’s the sixth part of the book, a workbook actually for critical thinking and community health. And I have the sense that it is possible sometimes to turn poison into a kind of goodness. But that’s hard one. It takes a lot of care. It takes a lot of social networking; it takes the empowerment of survivors through listening to their stories, really carefully platforming them and making them the center of any kind of reform movement. So those are pretty key ideas to me. Continue reading “Cyndi Lee Interviews Matthew Remski about Working Through the Abuse Crisis in Modern Yoga and Buddhism (+ transcript)”
YO: The term Spiritual Bypassing (SB) is becoming more common – what does it mean?
MR: I want to say up front that I’m not that fond of how the term is used. Typically it reinforces an individualistic diagnosis of what’s really social problem. I’m a cult survivor and that’s my research area, and so my approach is to look at SB not as something individuals do because they’re psychologically lazy, but as something they are taught to do by spirituality organizations that benefit from indoctrinating them into the idea that their product will answer all questions.
That said; SB is when a spiritual ideology, jargon, or community leader encourages a person to believe that all problems are solved or solvable. But what’s really happening is that the person is avoiding or defending against more obvious and entrenched psychological or physical wounds. Continue reading “How Do You Know If You’re Spiritually Bypassing?”
It will soon be a matter of common knowledge that the integrity of globally successful yoga and Buddhism brands founded by charismatic evangelists have been grossly compromised by histories of abuse.
We don’t have to name names: they’ll just come to mind. Fill in the blank of “The ______ yoga community”, and you will likely have named an organization in which the leader and/or his/her key lieutenants have been abusers.
In some cases the relationship seems to express a morbid calculus: the more abusive the leadership, the more successful the organization.
The jury is out on whether abuse prevalence is higher in globalized-Indian-convert-spirituality groups than in other groups. But we can say that in a completely unregulated landscape confounded by idealization and orientalism in which charisma is the primary coin of the realm and consumers have little if any way of assessing the competency of producers — even in matters as tender as their own bodies, psyches, and inner selves — abuse is easy to pull off and devastating in effects.
Understanding how the abuse works systemically is impossible, IMO, without diving into cult studies, which provide a robust framework for how the behaviours, information, thoughts, and emotions of group members are controlled (cf Hassan) through the manipulating strategies and deceive and negate the self (cf. Mann).
When (not if) this analysis becomes normalized, the notion that these brands and their communities “protect” a particular kind of knowledge — a language that’s emboldened by references to “tradition” or “lineage” — will start to ring hollow. It will become clear that the shadow function of the organization has been at least dual. Aside from the good the organization has done, it has used the notion of
- Protecting proprietary/precious information to…
- Protect the image of the abusers said to hold it.
The vehemence of those who protect “purity” seems to rise in direct proportion to their shame.
The pressing question becomes “Who then was doing the protecting?” The answer is that it takes all types, from the goon-enforcer all the way up to the academic who gave the group uncritical validation by overlooking its cultic machine. But here I’d like to focus on the most respectable and popular types, who continued on in their careers after abuses became known, largely without changing tack. Let’s call them the Respectable Bystanders (RBs).
Think about the teacher who is well-respected for conflicting reasons:
- They have a strong relationship to a socially viable brand (i.e., they are “traditional”), but
- They have also tacitly distanced themselves from it (they are “independent”).
They often enjoy privileged status within the group, held up as paragons of virtue, as people who got the “true” message of the teachings, as luminaries who didn’t succumb to the foibles of the corrupt leadership. They were able to “separate the teacher from the teachings”. In public they’ll maintain enough of a relationship to the group to serve as an apparently safer or saner alternative to its darker regions. At the same time the RB will profess just enough ambivalence towards the group to not be dragged down by association.
The RB is not a safe person. They managed to capture the glow from the charismatic halo, bottle it up, and repackage it. They couldn’t have done that while also saying “My teacher was an abuser and together we have to heal his legacy.” And if they spent twenty years or more not speaking out against the abuse of the community in which they went on to attain mentor status, you can bet that they didn’t pay much attention to the power dynamics they themselves were creating.
More importantly, consider whether their mentor status now positions them to “save” the brand with their maturity and guidance. That’s not just cynical on their part. It’s dangerous. Because one thing that RBs generally share with the leaders they hold at arm’s length is a grandiosity that believes their internal goodness constitutes all the learning they need.
Theodora Wildcroft was just here in Toronto beginning her first post-doctoral foray into the mainstream yoga training sphere. Her research generated the concept of “Post-Lineage Yoga”, which does many things, including describing the way in which communities practice after their leadership is compromised by abuse revelations.
Because these revelations are now ubiquitous, and because sources of authority on movement and science and history are now horizontally networked instead bestowed from above, the truth is that we are all post-lineage practitioners now.
This goes for the bystanders and enablers as well, unless somehow they sealed themselves off from all other influences. In the case of the Respectable Bystanders, they didn’t. They diluted their socio-economic links to the abusive leader in part through being open to and sometimes taking on other influences.
Wildcroft is clear that post-lineage doesn’t mean anti-lineage, which is why the term also can describe the RB. What her scholarship has done, however, is to amplify some basic transparency questions that can only improve safety in the shadow of RBs and others:
“Do you know where you stand in relation to X group/method/tradition?” “Are you clear about the conflict between benefit and harm in your heritage?” “What are you doing to help those who were hurt by the system you benefited from?”
Please support Michael’s partner Carina and children through this fund.
Photo courtesy of Ian MacKenzie.
Content warning: description of organ harvest.
I started writing this the day my friend Michael Stone died. On that day, the surgeons carefully cut into the body associated with him, to take the parts that used to be him and give them to others in need.
I wasn’t there, but I picture the following:
Their scalpels slide under the skin that was him, and was scanned a hundred thousand times in vipassana meditation.
They poke through the webbing of fascia that was him, and was stretched and twisted through a hundred thousand yoga postures.
Their blue-gloved hands, splashed with blood, pluck out two kidneys like sleeping fish.
They saw through the ribcage, softened by a decade of exhaling visualized light in the Tibetan style. They lift out the still-pulsing lungs, and watch them shudder to stillness on the ice pack. As though Michael were still practicing to lengthen and smooth his breath into that single point of silence he craved.
The transplant team demonstrates an ancient proof in Buddhist logic:
If you look for the person among the parts, you will not find him. “Michael” and “my friend” and “Buddhist teacher” are designations applied to a collection of skin, blood, voice, eyes, behaviors, images, and mysteries. All of which are ultimately ownerless.
One of the mantras Michael sought comfort from was: There is no “me” or “mine.” It’s an assertion of emptiness, but it hides a multiplicity: Michael, like any person, was many.
There was Carina’s Michael: doting and vulnerable. The Michael who stood large beside his brother Jayme and sister Sunny. The Michael of his parents, his teenage friends, his first partner. His friends from many walks of life. Those who didn’t care about Buddhism or yoga.
The Michaels of his children: Arlyn, and the two boys he had with Carina. The thirteen year-old, the four year-old, and the toddler knew different fathers. Baby-to-be heard a resonant voice to be remembered in dreams.
In rings circling outwards, more Michaels appear, each one a little less knowable: therapist, sometimes-monk, public speaker, heartthrob, author, entrepreneur. And of course, Michael the dharma teacher, sitting at the front of the room, by turns radiant, startled, or wooden.
Which Michael did his Buddhist teachers see? His therapists? His psychotherapy supervisor? What about his doctors?
Who was Michael to the man who sold him that little white pill?
The surgeons murmur over the body, and it sounds like prayers.
If you knew and loved Michael through his work, you beat the surgeons to that harvest.
You harvested the voice of his writing and podcasts, marked by the rhythm of the practices he loved and depended on. His penchant for boiling the broadest themes down to taut aphorisms. And for finding the Buddha everywhere he wanted to find him: novels, obscure Canadian poetry, cool apps, superior espresso, pop music, therapy, laundry, mountains, streetcars, his motorcycle, and hospitals.
If you were a student who went to his retreats, you harvested other things. Like how so many mirrored his exquisite posture with equal parts earnestness and piety. You absorbed a dynamic silence – at times anxious, haunted, or womblike. The talks he gave were metronomic, as though he needed the entire world to slow down and listen at the exact pace that soothed him. Then, his quirky yoga instructions tangled you up on your mat, made you teeter and laugh.
Perhaps you had a meeting with him about your meditation or yoga practice and he dispensed advice that connected, perhaps miraculously. Was he intuitive, or lucky? You can’t honestly say. Or maybe the meeting made no sense at all, and you felt odd about that – maybe even apologetic, like you were letting him down. Or: he outright frustrated you with those blue eyes that could seem to know you, love you, judge you, or be lost, all in quick succession.
You collected the countless steps of walking meditation, and the group chants Michael loved. They may have stirred you deeply. Or you may have found that in the English translations from Sanskrit or Japanese he collected and tweaked, they sounded angular and explicit to the point of embarrassment:
Don’t squander your life!
Does anyone really squander their life?
2013. We were walking through Mile End in Montreal, looking for the perfect cortado. Michael was telling me he’d backed off on the rigidity of practice in recent years, as we tend to do.
“I’m leaving just enough discipline to hold the shape of something,” he said, on the step of Café Névé. He gestured in the cold air with his hands.
That something was always meticulous, artistic, and intense. It felt like his longing for ritual order emerged, as much religion does, as an artistic response to internal and external chaos.
I remember when he rented my old space in Cabbagetown for several month-long retreats in 2006. One was in February. He’d ride his Danish bicycle over from Parkdale, and come in with snow in his beard that melted into the cup of coffee I handed him. Through the day, I sat at the desk outside the room, working to the rhythm of his somnambulant baritone, lulled by the vowels.
The students were Gen X, Y, and millennials, countercultural. Three-quarters women. When they trickled out to the bathroom they moved quietly and kept their heads down. It seemed like they were under a thrall they couldn’t risk breaking. When the studio door was left open, I could see the cohort encircle him. Some sat very close, absorbed in him.
I was impressed, and uneasy. What was going on? How did he manage to make all of that attention directed at him seem natural?
The fragments of his talks I overheard rung with a single note. It wasn’t from Buddhism or yoga. The texts were delivery devices for a sense of collective certainty, expressed through the first person plural.
“When we feel… we often find… and then we get caught up in… and so we practice because… and we fail… our hearts are like… our armour falls away… we are open to… we can be receptive to… we touch intimacy… we continue on with our work, not knowing.”
Michael’s register of wisdom could make people feel merged with each other, and with him. It created a feeling of group confession that generalized and depersonalized towards an unboundaried warmth. It seemed to hold nothing in private.
When the group left at dusk, the building vibrated. I’d sweep the room and then pause for a while by the altar they’d made by the window. I took note not only of the personal artifacts people had brought, but also the pristine and eccentric aesthetic Michael inspired. Japanese paper, quirky calligraphy, microbrew beer coasters folded into squat origami turtles.
The style was hipster zen, years before it was a thing. But instead of irony, it was imbued with what his brother Jayme described over the phone as Michael’s sense of the “ceremonious”. That same sense, Jayme said, that made the scene of Michael’s death so uncharacteristic of him.
I was never Michael’s student. I was his peer, colleague, co-author, and eventually, his friend.
I was that friend – I’m sure there were others – who made fun of him for having students. I would say:
Look at the mess you’re in now. People expect you to give them spiritual advice!
He smiled and shrugged, a little bashful. Sometimes he laughed. It was like he didn’t know how it all happened, even if he knew how to nudge it along. He didn’t stop it, because it seemed to be working. The glowing feedback he got burned everything else away. It’s hard to imagine anyone around him being large enough to persuade him to slow down.
But he asked everyone else to slow down, and look within. I wonder if he needed those around him to find the answers he couldn’t.
Friends harvested more hidden things:
His bouts of social unease, his obsession with dorky trivia and dark humour. You saw him long for guidance from senior teachers, like a prodigal son. He would connect with them, misfire with them.
You saw him draw conflict, get defensive, take a breath, take inventory, try to make amends. He would drift away from these people over here, become infatuated with others over there. You saw the acrimony from his divorce spill out and polarize a community. You understood that his prescription to always practice intimacy and forgiveness was the one he had written for himself.
You saw his effect on women, of all ages. They adored him and confessed to him. They poured their labour into his projects. Some became angry when they realized the imbalances. When they ghosted away, others came to replace them.
In such seemingly progressive spaces, it can be hard to call out hierarchy. The spirituality industry wants to make Iron Age yoga and medieval Zen look like they aren’t patriarchal in theme, form, and division of labour.
If you were a close friend, you saw how Michael’s doubts about his direction and competence were punctuated by flourishes of manic creativity. You saw how easy it was for his vision to outpace his introversion, and his appetite to outpace his digestion.
When he was flying high, his intellect became very porous, consuming and repackaging every idea he loved with dizzying speed. He was a DJ of ambient Buddhism, mixing freely from whatever tracks he could find.
If you were close to him, you collected his surges of warmth. These became more poignant when you realized that he often had to climb up out of a dark well to let them flow. You collected things that were hidden by his stylishness, his supermodel looks, and by the gold paint that people sprayed on him in their minds and online.
Maybe you were close enough to soak up what he was like with his family in its various constellations. How he loved and baffled them, how he thrilled but could also disappoint. How relatives orbited his sun in seasons of estrangement and reconciliation.
When he touched Carina’s hand or when his sons clung to his arms, or when he listened to Jayme play the banjo, or when he watched his sister Sunny whip up her cooking magic, you could feel his love come out in a flood of bewildered tenderness.
He ended our book together with a distillation of such moments:
Everything was in its right place and everything was heading in the same direction. In my body I felt something new about life: not my own life, but about the whole parade of humans moving through the world, of which my family was only one small part, but the largest part of the world I could ever know.
If you worked with him, like I did on his talk about struggling with the danger of his own charisma, you harvested the giddiness of his concentration. You understood that he survived in part by taking risks.
After their first son was born, Carina asked him to sell the motorcycle a psychic had told him he should buy. He did as she asked. But he kept driving too fast in his mind.
When we worked he would pause, waiting for the words to come. I could feel him teeter on the edge of something. One March day, I prodded him a little harder. I could hear his tapping keys over the phone as he murmured:
“I came to understand the shadow of charisma — of my charisma — was dependency.”
There was that feeling I often had around him. A lightning bolt of clarity, and then something fuzzy and frenetic rushing back in.
He was impatient with whatever couldn’t be finished with the speed of a zen brush painting. I would offer a paragraph of commentary; he parried with a sentence. I built things up, and he hacked them away. He loved the koans that could be answered in a single word. He was acutely aware of the shortness of time, and he’d learned that art must be made from the simplicity of panic.
I can hear him saying now: “This elegy is too damned long. And you always go too far!”
I yell into my silent phone:
Dude, I’m just getting started. And you’re the one who went too far. Gone, gone beyond, and all that, right?
I wait for his laugh.
During a snowstorm three years ago, Michael and I met for lunch to finish work on our book. At one point he stopped and leaned over to ask me something that wasn’t really a question.
“Hey – do you generally feel even-keeled?”
“I guess. Can you say more?”
“I mean – do you feel in control of your emotions?”
After I fumbled through an answer, he told me he was struggling with his mental health. That it had been going on for as long as he could remember. Suddenly many things made sense.
We got very still and gazed at each other. After a moment, I realized he was gapping out. I’d seen this before, but now it was clear that he had to struggle to come back to the table.
It occurred to me that this oscillation between intense focus and vacancy was part of what drew people to him. Like he could see you, and that felt so intoxicating, but then you’d have to chase after him to feel that again. Like he was profoundly okay in one moment, but you wanted to save him in the next. Or maybe you thought he was regularly falling into a meditative trance.
Things became more transparent between us, but never fully. I loved him more, even as – or because – I felt more uncertain about where he was going. I knew I’d been drawn to him without understanding a crucial thing. I was in his sphere because he’d cast a spell over me. Part of me resented that, but now I could love him closer to where he was.
We deepened things by trading war stories about our health. On the phone he’d tell me about crushing insomnia. About having to fly places and teach meditation on autopilot because he was exhausted and agitated. I told him about my heart palpitations in the middle of the night. He’d had that too. Once, I picked him up from the hospital when he went for knee surgery to fix the damage from that stupid lotus pose. Or was it skateboarding?
I developed a pulmonary embolism a few months after our book was published. I could easily have died. He was the first person outside of my family I called. I knew he would say something luminous and comforting. But there was also the feeling that I wanted him to know I was joining him at the edge of something.
We talked a lot about self-regulation. He told me that he’d stopped meditating everyday as an experiment to see if meditation was actually making his swings worse. He suspected it was. This was around the time he taped an interview with the world’s leading researcher in the neuroscience of negative meditation experiences. I’ll bet the turns of his research interests map perfectly onto his internal labyrinth.
I had to take warfarin to thin out my blood clots. He told me that lithium seemed to help even out his moods. We joked about it: after years of studying Ayurvedic diet and self-care, here I was, kept alive on rat poison. And for him — after scouring the library of scriptures, he’d found the answer in the periodic table. A single molecule, labeled “3”.
I said it was the chemical version of the triple jewel of Buddha, Dharma, and Sangha. He laughed his broad broken laugh.
Over the next few years I saw Michael increasingly exhausted by a race against the pressures of his persona, the tightening claustrophobia of his brain, his search for better medications, and the possibility that disclosing it all would help, or at least give him the next thing to work with. I thought about the growing distance between what he saw in the mirror and the headshots staring out at him from the screen.
His public life went viral, even as he seemed to become more isolated. He kept preaching the necessity of practice, even as I knew practice was less accessible to him. His sermons were about place and connection and sustainability. But he composed them on airplanes. He preached about community from the remote island he moved to after leaving the community he had founded.
When he was getting ready to move out west with Carina and their first child, he called me to say that he wanted to give me a bunch of his books on psychoanalysis. Two titles stood out: Being a Character, by Christopher Bollas, and Terrors and Experts, by Adam Phillips, who Michael and I had recently gone to see lecture.
Bollas describes the devastating results of living in the prison of other peoples’ idealizations. Phillips opens his book by quoting Iris Murdoch on how philosophers show you what they fear through what they become experts in.
We thumbed through his books, stacked in the front hallway. “I really think psychoanalysis,” he said, “gave us the most beautiful literature we have.”
He sounded wistful. I don’t know whether he was giving me a message, telling me about what had helped him find peace for a while, or parting with things that hadn’t worked. He handed over the books with a generous smile, and his body pulsed with warmth when we hugged. But as I drove away I felt like a thief.
As time wore on, Michael became an ever stronger advocate of the thing he struggled to do. Show each other your face, he would say.
I wondered whether his ideas got larger as his internal space and room to breathe narrowed. Not only did he constantly push himself to break new ground in Buddhist thought, he wanted to carve out a leadership role in the movement to renovate yoga postures. There was talk of building a new centre in the western mountains, and landing a university fellowship. He told me about one of his next books, in which he was going to be more transparent about his mental health. He was searching for the right hook. Something that could go mainstream.
If he was going to own his mental illness, he was going to learn and write and teach his way through it. It’s what he had always done.
It is perhaps what the Buddha himself had done.
A main difference being: Siddhartha Gautama wasn’t preceded in the world by the images of his own enlightenment. He didn’t need to feed the insatiable hunger of wellness culture. He did not have to live up to – nor compete with – the branding of spirituality.
The poet John Ashbury just died at the ripe old age of ninety. He once wrote:
Most reckless things are beautiful in some way, and recklessness is what makes experimental art beautiful, just as religions are beautiful because of the strong possibility that they are founded on nothing.
Don’t squander your life!
Sometimes the group whispered it. At the memorial, one of his students shouted it at the top of his lungs. Who was he shouting it at?
Those who harbour anger at Michael right now – and feel so guilty because of it – might feel sucker-punched by that line. Doesn’t it open a cut of hypocrisy? Did he really recite it a hundred thousand times? Who was he talking to?
The stigma Michael faced is real. But the broader story must include the fact that thousands of us paid him for the creative side of his mania, which was hard to separate from his talent. A portion of our money poured directly into a small industry of marketing and publicity that reflected our desires back to us. It paid for gorgeous photography and design, for occasional ghostwriting, and for partnerships that gave structure and anchoring to his flow states.
The yoga and meditation economy embraced him with open arms. And enabled him. He was working on four different books, all in different subject areas, when he died.
He may not have wanted to disclose. But if anyone could have turned stigma into stigmata, it was him. The spirituality industry, however, would suffer for it.
A disclosure like Michael’s would continue to erode the arbitrary distinctions between sane and insane spiritual leaders. It would be that much harder to read Pema Chodron or Alan Watts without wondering how much of Buddhism amongst postmodern converts is an elaborate way of covering over a hidden story.
If Michael had disclosed, we would look at our shelves full of Shambhala titles and wonder how many trees were felled to print them. We’d remember that the press that launched him was itself launched by the mercurial genius of Chogyam Trungpa: alcoholic, womanizing, surely undiagnosed. We would not be talking about the fall of a single hero, but the clay feet of a culture. We might sense the deep feelings of shame and inadequacy that drive so many men to the front of the room to prove themselves. We think they are vibrating, when really they are trembling.
After that line about squandering your life, Michael’s assistant would strike the gong while holding the rim, so it couldn’t ring to its natural end.
I was always a crappy Buddhist. Over that surreal weekend of his coma, I felt so identified with Michael’s body that I felt some shadow part of myself on that ventilator, forcing me to breathe, waiting for it to be switched off. A more solid part of me was here, not believing that he couldn’t taste this coffee, couldn’t stand in this garden, couldn’t smile at his wife, couldn’t hold his toddler.
Even two weeks later, his death still seemed a spectacle to me, I expected him to step out from behind a tree, or send a text from the edge of Algonquin Park, where he disappeared to when he was twenty. As though he’d just been out of cell phone range, and had no clue there was such a fuss.
It only really hit home as I sat with my family on a driftwood log on a Pender Island beach with a hundred others at the memorial. The children waited patiently through the chanting, holding the paper lanterns they would release after the last bell.
Jayme stood behind the altar with his partner Laura and cracked open the Zen liturgy with his banjo and a southern spiritual. His voice, braided with hers, carried light and ash. Their three year-old son pulled at Laura’s dress, asking to be picked up.
If you’re a Canadian Gen Xer like Michael and me, you’ll probably remember a little Québécois film from 1989 by Denys Arcand called “Jesus of Montreal”. I went to the Carleton Cinema over and over again to soak it in. I wouldn’t at all be surprised if Michael was sitting there during one of those screenings. I was eighteen; he would have been fifteen.
The movie tells a simple, predictable story. A wandering actor returns to his hometown and is hired to direct and star in a revamp of the Cathedral’s chintzy Passion play. He’s silent, magnetic, dreamboaty. Also a little wonky. He electrifies an unlikely cohort of disciples and leads them in pulling their art and their lives out of banality.
At the peak of his influence, while performing Jesus, and not really knowing what he was doing, the actor accidentally dies.
The concluding montage leaves the main characters behind. It cuts from one hospital room to the next, showing patient after patient waking up after their surgery to receive an organ, donated by the actor who played Jesus.
An old man wakes up with a new heart. A middle-aged woman has the bandages removed so that she can blink at her daughter with new eyes, and call out her name.
This is my body, which will be given up for you, as they say in the church to which I once belonged.
I cried harder during that scene than almost ever before or since, and couldn’t move from my seat until the janitor tapped me on the arm at closing time.
Whenever I crest over this present edge of numbness and am finally able to cry about Michael, I think the tears will join the river that started in that theatre. They’ll flow from the material realizations of love:
I’ll feel how one body becomes other bodies.
I’ll feel that this is all there ever was or needs to be: a recycling of flesh into new joys and troubles. This is the way biology grants forgiveness. The process itself is the only soul we need to speculate about.
I’ll feel that in death, as in life, a person is both visible and invisible. Charisma magnifies this split.
Visible or invisible, Michael couldn’t be found or boxed in. I was foolish to think he could be. So it goes for those burdened with charisma. They are who they are because they seem so much larger and more permanent than you, even when they desperately want to be equal, normal, not-special; even when they want to disappear.
I know this tune: I’ve spent years deconstructing the light and shadow of spiritual teachers. On the surface my crusade has been related to healing from being in two cults. But the deeper drives that both attracted me to those men and led me to loathe them flow from my own need to be special, to heal attachment wounds, to be seen and praised — and then the shame of recognizing these things.
Pegging Michael as charismatic, and feeling smug about it, let me off the hook for years. I could only truly love him when I began to understand that he was living an amplified version of my own needs.
Part of why I wanted to be his friend was that I wanted to see myself more clearly. Knowing he did many of the things I work against, I tried to forgive him because he was ill and couldn’t seem to do otherwise. Perhaps he was my dharma teacher after all, teaching me about love in that sideways land of the unconscious.
My eventual tears will tally all I harvested in every moment I knew him – over years, and not just suddenly. The organs are just the last parts to be offered.
I’ll understand that those who speak most about community and ethics and family and forgiveness and intimacy are those who most long for such things.
I’ll sense that the pain of watching a person you love shattering into emptiness can be soothed by the feeling that he’s already inside you, transplanted, flaws and all. He lends you the heart, for the brief time we have, to take care of others.
One of the hardest questions I get asked by friends or family of people in cults is about how to talk with them about their experience. How do you have a conversation with someone who you think is being deceived, who has become dependent on a power structure you suspect is harming them? What if they say they’ve never been happier, and you can’t shake the gut feeling that there’s something off? There’s never an easy answer.
So much seems to depend upon the trust you share with the person, how well you make them feel heard, the state of their basic life-resources. In all of the stories I’ve heard about people extricating themselves from cults, there never seems to be any single decisive factor that pried them loose. But often, people will say that a key exchange with someone helped them change course.
I once had an exchange like that.
In 1999, a good friend of mine wrote to me about my immersion in the cult of Michael Roach. I recently found his typewritten letter during a closet clean-out, and read it again. And again. I’m retyping it out here with minor edits to protect anonymity.
Though I didn’t fully absorb them then, these words haunted me for the entire year between receiving it and leaving Roach. Today I can’t believe how lucky I was to have such a friend who could write them to me.
I hope you enjoy my friend’s kindness and subtlety, how he unfolds his argument slowly, with wit and pathos. How he takes me seriously, and tries to imagine and validate my inner life, even as he feels alienated from it. How he avoids the question of cultism and possible abuse for just long enough to have space in the end to back away from it with cheerful melancholy.
I hope you enjoy his self-awareness, humility, uncertainty, and bravery. Beyond his many salient points, perhaps it was his modelling of these virtues that made the deepest impression upon me.
(The opening reference is to an audio tape of Robert Thurman, probably teaching elementary Tibetan Buddhism. I’d sent it to this friend as a way of explaining what I was into. Or justifying it: Thurman was a lot more mainstream-able than Roach.)
Thanks for the tape, I’ve listened to it and found it both fascinating and puzzling. Thurman seems to fluctuate between academic instruction and personal inspiration. It’s all new to me.
I have to admit I find your increasingly devoted, if not feverish, attachment to Buddhism somewhat frightening to me. It makes me feel simultaneously apart from your experience and intrigued.
What does it feel like to actually believe in something? Really believe? I admit I have never truly believed in anything — all religions make me feel like an outsider, someone looking in on a transcendent experience, never one of the blessed (?) the inducted (?) the knowing (?).
So, when I hear of you growing more and more a part of something that appears to loom so large in your minds and hearts, I figure, well, there he goes — in a couple of years, or shorter, he’ll be off to some austere place (mental or geographical) where only the fellow enlightened can reach him. Essentially, it feels like you’ve already begun to pack for a figurative (or real) Tibet. I will miss you greatly.
By now you’re probably reading the above as et another instance of my relentless negativity, my self absorption — but, as true as that may be, I do still feel what I fell, which is that you are disappearing, or, to be more precise, changing shape.
That in itself is, of course, good and should be accepted by anyone who loves you, except that the catalyst for this change appears to me to be an all-encompassing, and excluding religious practice. I celebrate your new found happiness and clarity, but will the vehicle for this change ultimately make me and others that love you but who do not follow the same practices irrelevant?
Will you begin to see non-Buddhists as unenlightened, backward, and no longer necessary for your happiness?
Finally, and this is perhaps the most contentious of my concerns, I just fundamentally distrust and worry about people, especially people I love, who see their redemption (? wrong term, I’m sure) as coming through a single person, a “teacher”. I have always been suspicious of anyone who would set him/herself up as a teacher of intangibles, of ultimately unknowable things.
I fear the possibility of cultish servility — although I hardly think of such an ancient and resonant religion as a cult. But that does not mean that there are not charismatic people within Buddhism who are seeking followers to dominate.
I guess it all boils down to personal psychology — as a recent victim of a massive abuse of authority and trust, I’m afraid to see my friends potentially falling under the sway of another persuasive personality.
Call it projection (accurately), call it melodrama (possibly) — but I ask you to please keep a small part of yourself open to questions and the tiny voices of disquiet all intelligent people carry inside them as protection against fraud.
Know that I love you, and that this little diatribe has been brewing in me for awhile, and is not easy to write.
I admit I’m always confused, but sometimes I’m also very perceptive.
Am I losing you? Is the world? Please accept my love,
The Gita has been used for everything from “Just War” political theory to pacifism, eclectic claims of medicine, and as a handbook for the secret forms of yogic practice. But whatever we think the Bhagavadgita means, it is surely a gateway through which every yogin must pass before taking any next step. It has always implied more than it has said and perplexed as much as it has inspired. No modern reader should feel the slightest reluctance to interpret the text as she or he sees fit: this is exactly what has always been done without the least amount of compunction. (Brooks, Loc 163)
Will the ‘Real’ Bhagavad Gita Please Stand Up?
I’ll begin with a note on where I’m coming from. I can’t write in any way for the hundreds of millions of people who have grown up and lived with a more or less unified reading of the Bhagavad Gita through one of many religio-cultural lenses. I’m writing from the position I share with those who have been exposed to it (and fallen in love with it) through a synthesis of secular academic study and the “spiritual-but-not-religious” milieu of the modern yoga studio and its trainings.
For this demographic, the first matter to address is the conundrum of being aware of multiple Gitas. The Sanskrit dialogue between Arjuna and Krishna has been translated into (or colonized by) non-Indian languages more times than any other text of yoga’s vast literature, with each version carrying the insights, biases, and blindspots of the translator’s community. Beneath this globalizing layer there is a 1500-year history of the text at war upon its native battleground, bloodied by conflicting readings that reflect both its malleability and its internal tensions. I’ll roughly sketch some of these readings below, and then offer two additional reading stances — from a globalized, secular, and deconstructive perspective — that might broaden this old conversation even further.
I would argue that simply being aware of many Gitas exposes the sensitive secular student to the “incredulity towards metanarratives” by which Francois Lyotard characterized the postmodern mood (Lyotard, 1984). In other words: when one starts to investigate how a book like the Gita evolves against the backdrop of its many uses and readings through time, its monolithic potential as a a pillar of sanatana dharma (“eternal teaching”, according to the favoured expression in orthodox Hinduism) becomes less accessible. It becomes hard to commit to a stable point-of-view, to invest in the hero, to worship its central speaker, or to be romanced by his promise of salvation. If one is to generate awe and wonder before the text — if this is even desirable — it will be as one who finds religion less in the book’s presumed meaning than in the complexity of how that meaning is produced.
Changing, Fast and Slow /// notes on Sam Harris, meditation, spiritual impatience, and the rising sea
Just as the ocean has a gradual shelf, a gradual slope, a gradual inclination, with a sudden drop-off only after a long stretch, in the same way this Doctrine and Discipline (dhamma-vinaya) has a gradual training, a gradual performance, a gradual progression, with a penetration to gnosis only after a long stretch.
— Uposatha Sutta, 5.5
[dropcap]I[/dropcap]’m looking forward to September’s release of Waking Up: A Guide to Spirituality Without Religion, by Sam Harris. When an “acerbic atheist” (to use the phrase of ABC’s Dan Harris in his mini pre-review) who has done so much to open up discourse on faith, reason, cognitive science and ethics comes out of the closet about his personal practice of meditation and proposes to evaluate his experience in terms of neuropsychology, it’s some good times. But a number of details from this recent dialogue with the same Dan Harris give me pause. (If he has modified these claims somewhere I haven’t come across, I ‘d be happy to know.)
The following four letters open a new book I’m co-writing with Michael Stone about the spirituality of family life.
My first writing mentor, Luciano, quoted Yeats to me one day. I think I was seventeen. Continue reading “The Guru as Artist”