“But the Shambhala TEACHINGS are precious. They changed our lives. We CAN’T let them go. We HAVE to separate them from the organization and its leadership.”
This is the active-ingredient argument you may be hearing from some of your fellow community members. It’s based on the premise that beneath all of the human imperfections and “conventional realities” of Shambhala International, there was something essentially good and true communicated by Trungpa and his followers, and that that essence was what changed lives.
A further premise is that that essence can and should be isolated and mobilized.
Those who talk about the “essence” of the teachings are those who are still in one way or another within the learning community or high-demand group. They might believe that the essential teachings were universally clear; they could test this belief by asking those who left the group what they believed the teachings were.
They would be also be the ones who would be least likely to consider the placebo effect of the teaching content. Continue reading “Maybe It Wasn’t the “Shambhala Teachings” That Changed Your Life: A Brief Note on False Attribution”
So Nellie Bowles wrote this piece of magic.
My post here will avoid the content weeds to zero in on a single syntax transition that Shapiro made, and that somehow made it through editing. The indented graf is Bowles. The second sentence is a direct quote from Peterson. The second graf is Shapiro.
Read how the highlight connects them.
Slow down if you have to.
Bowles: “[Peterson direct quote]” he said.
Shapiro: This is not what Peterson is saying.
This freaked me out. I talked it through with my partner Alix to get clearer on it. Here’s what we explored together:
It never matters what Peterson said.
It matters what he’s saying.
Farber, Harlow, & West (1957) coined the term “DDD syndrome” to describe the essence of Korean war thought reform with prisoners of war: debility, dependency, and dread. Lifton (1961), who also studied thought reform employed in Chinese universities, demonstrated that the process did not require physical debilitation. Contemporary cultic groups, which do not have the power of the state at their disposal, have more in common with this brand of thought reform than with the POW variety, in that they rarely employ physical coercion. In order to control targets, they must rely on subterfuge and natural areas of overlap between themselves and prospects. As with all Korean era thought reform programs (those directed at civilians and at prisoners), however, contemporary cultic groups induce dependent states to gain control over recruits and employ psychological (sometimes physical) punishment (“dread”) to maintain control. The process, in my view, can be briefly described by a modified “DDD syndrome”: deception, dependency, and dread. Continue reading ““Deception, Dependence, and Dread” — via Michael Langone”
- The Walrus: Yoga’s Culture of Sexual Abuse: Nine Women Tell Their Stories
- Karen Rain’s blog.
- Anneke Lucas’ 2010 disclosure (republished in 2016). This is to my knowledge the first public disclosure.
- Bodhi Tree Yoga, Regina, SK. (Thanks, Colin and Sarah.)
I’ll preface this post by saying that, in accordance with the clinical research, I do not believe there are strong correlations between prior life experience and the likelihood that a person will join or stay in a cult (or “totalist”, or “high-demand” group.) What follows is a speculation, based on memory and anecdote, on why people who are already inside such a group may be more prone to the kind of enabling and moral harm that Philip Deslippe has described to me as “I got mine-ism” (IGM).
IGM is a defensive strategy by which a member who has not (or believes they have not) directly experienced abuse or institutional betrayal within the group deflects stories of abuse within the group by immediately self-referring, saying things like: “I don’t know about other’s experience; I find/found the teacher/teachings to be profoundly helpful in my life.” The statement is usually couched within an unwillingness to act on behalf on victims or mitigate future harm. Continue reading “The Unbearable Smugness of “I Got Mine-ism” Amongst Cult and ex-Cult Members”
And so they blended up the beavers, and poured the blended-up beavers into the water supply.
- The effects of joining the Rajneesh movement on members’ families and prior attachments.
- The effects of arranged marriages and divorces and forced migration.
- The effects of ashram life on the children born or brought into the organization.
- The money that members were required to give, and how the 30K “working members” of the Rajneesh movement worldwide — according to Sheela — were paid virtually nothing. For years. What it meant for 99% of them to hitchhike or drive out of the Oregon desert with a few bucks of gas in their tanks and the clothes on their backs, while the leadership scatters over the earth with trunks full of diamonds and gold.
- The drug trafficking and prostitution by which members paid their passage to various communes and then fees when they got there. (Citations in Falk.)
- Strongly-encouraged sterilizations of members. (ibid.)
- Interviews with ANY of the 6K homeless people exploited by the org.
- More than glancing reference to the 10K audiotapes that contain evidence of battery and sexual assault committed amongst members. Law enforcement obviously didn’t have the resources to investigate these fully. So do these just disappear into another shot of the Bhagwan’s vacant gaze while the opera music rises? I guess so.
- Your “performance” of ecstasy (real or contrived) within the group meditation session was directly related to your social rising and falling within the group. Your capacity to physically express oneness with or domination over the group translated into social and even financial opportunity outside of the session. If you’ve never been in such a mosh pit, you can start thinking about those group activities as being non-verbal dominance rituals that test the position and resolve of participants.
- If you were a young woman in that melee, you were targeted for sexual attention. Some gained social and even spiritual capital from this to the extent they presented themselves as welcoming.
- THESE HOURS DOMINATED YOUR ENTIRE DAY AND MADE YOU INCAPABLE OF INDEPENDENT ACTIVITY. When Rajneeshis describe being “emptied” or “mindless” at the end of the session, you have to think about what comes next, how easy it is for them to go pick vegetables or clean toilets without thinking about where they are or whether they’re being paid.
- The experience cannot be shared with people outside of the group. The session is so strange it cannot be described without deep self-consciousness or shame. The central part of your day, the material reason that you are in that group at all, has the function of isolating you, while, paradoxically, purporting to show you your oneness with all humanity and the universe. This isolation-through-oneness causes severe internal splitting, a cognitive dissonance that compounds daily. I believe that this somatizes in very distinct ways. I remember that in my group we would commonly speak of feeling intense internal “pressure” that would discharge in severe headaches or periods of near-catatonia. We had a narrative about these sensations being evidence of a “transformational crisis”. It was understood that the sensations would intensify until we “popped”, which might look like a seizure in the middle of the session room that could last anywhere from minutes to an hour, and was generally followed by days of radiant dissociation. We would say that the person had “gone to the other side”.
The meditation is a highly effective opiate, and it holds people in a kind of labour and agency stasis. Also, it is so fucking stressful that of course you look happy when you’re scrubbing vegetables. “I just love being here in this community” is a partial statement. It needs to be qualified by “I’m also so relieved no one is screaming at me right now, or that I’m not jumping up and down with no sense of self.”
I loathed the movie Whiplash. If you haven’t seen it, I’ll spoil it for you here.
An embittered genius jazz band conductor for an elite New York school emotionally and physically abuses and gaslights the mostly young men in his band, constantly.
Who knows what happened in his own history for him to be this way but it was probably brutal. He plays the boys off of each other in a dominance hierarchy in which everyone pays tribute upwards. The administration knows it, the faculty knows it. Nobody stops him. The school believes he gets results, rather than that they are a selection facility for talent and privilege, and that results can be and are arrived at in many different ways.
The narrative centres around one boy, a drummer, who we watch manage the trauma of this relationship. He does everything he can to please the abuser, including rehearsing maniacally until his hands bleed. The euphoria of music, plus the flow states of his toxic effort, afford him and viewer a kind of spiritual bypassing relief.
But of course the abusive teacher cannot be pleased by any of the drummer’s efforts. Why? Because then he would lose his power.
Accurate depiction of abuse? Yes. Good movie? No, because the writer-director chickens out at the end through a cascade of rationalizations that pretend to show that the abuse was all worth it. He avoids the more obvious, less Oscar-worthy answer, which is that some children survive horrible things with remarkable resilience, while others don’t.
After the abuser wields every trick of power in the book and betrays the drummer in the most epic way, the director then has the boy finally surrender to the abuser and the “process” in a moment of communion through the ecstasy of music. It’s a very Christian apologetic, really, with glory and pain not only contingent upon each other, but that contingency throbbing with an (homo)erotic charge.
Who is caught in the crossfire? The woman, of course. The drummer’s partner appeals to his emotional core, and so she must be discarded. Such an old story: somato-psychodramas between men feed the roots of the misogyny tree. Demeaning women comes to be accepted by patriarchy as an insignificant form of collateral damage.
The pseudo-resolution of the film orbits around the faulty premise that abusive teaching can produce empowered learning. Is there any data for this, or is it merely the best story we think we can tell?
Is it such a prominent story because it’s untrue? Do we have to keep repeating it to convince ourselves it’s meaningful?
I don’t buy it. Abusive teaching can be correlated with certain performed results, but only through a battery of other factors coming together.
We have to name the process: saying the band leader got the drummer boy to show his “essence” – which is what the entire denouement of the movie tells us – is a trauma response designed to relieve cognitive dissonance.
This culture conflates communion with survivorship, which is why brothers-at-arms war movies are a staple. We didn’t actually need to go to war to find out who we really are. Rather, we were sent to war and we found out how we each improvise survivorship according to our privileges and wounds. Except for those of us who didn’t survive, and who therefore didn’t get movies made about them.
Although – the dead were in those movies, really. They were the bit characters who had their heads shot off in order to show everyone else what dangers the survivors survived. That’s the thing about triumph-through-adversity narratives. They require sacrificial victims. In Whiplash, the director throws another kid under the bus to illuminate the resurrection of the hero via contrast. That the sacrificial victim is black adds another disturbing layer.
This is all on my mind because of yoga, of course. In response to a description of teacherly abuse on the Yoga and Movement Research board, someone commented to the effect that the teacher involved was difficult, full of contradictions, but that, like fire, being around him could be “incredibly transformative.”
Sorry, but “transformative” is not the appropriate word. If dude were able to pull himself up short in the middle of his intrusions and say “Wow, there’s my anger management problem pouring out again, full force. I think it has something to do with intergenerational violence and my need to offload my repressed humiliation onto younger men. I’m really sorry” – that would be transformative. Anything less is just a cycle of abuse with chaotic results narrativized by (partial) winners who need to make sense of winning.
I believe the comment also betrays something unintended. It puts the old-school yoga teacher in the category of artist. It suggests: “He’s a genius, but he can burn you.” This has been used as a framing device for guru-types forever.
Of all of the problems with this model, this is perhaps the most pernicious. Maybe it hangs around precisely because of vestigial Christianity, and we can’t stop making sense of things that way.
I’ve never met any, but I believe that spiritual geniuses — unlike artists, who I know a bunch of — would be those who figure out how to not burn others with the coals of their past.
Duff McDuffee pointed this out to me first on a Facebook thread. When Alex Jones — Infowars conspiracy theorist and hawker of survivalist protein powders — gets on a roll, the content of what he says is secondary to the state he embodies. He’s not communicating something to be understood, but rather broadcasting a trance state.
The content supports the transmission of this state only to the extent that it helps defamiliarize whatever hold on consensus reality he and his audience have. Yes, he is talking about aliens here, but this only underlines the alienating experience of a body that needs to transcend its pain and confusion.
You can watch a bit of the following with the sound on to get a sense of this intersection of content and somatics. But then you can mute it and just watch what he does with his body. Or: what his body does with him.
Gazing off to the right and up. Conjuring the completeness of his vision by caressing an invisible sphere in front of him face, as though the sphere were his face, perfected. Leaning with his eyes into the vastness or the void before him. The conspiracy theories seem rooted in the conspiracy of his being bodily possessed.
And — maybe the most important detail McDuffee pointed out: when Rogan interrupts the freestyle in any way, Jones’ primary goal is not to answer the question, let alone hear it. His goal is to maintain the self-enclosed-but-extroverted trance state. He needs to get back on that train as soon as possible, perhaps because it’s where he feels most at home, most protected.
A comparison to Trump here isn’t lazy: when we ask why he can’t stick to the teleprompter, something similar might be happening. Reading from the teleprompter, like taking in Rogan’s question, would stop the trance train.
Reading the teleprompter would be like being distracted from masturbating, which may tell us something about the adolescent anxiety informing it all, not to mention the overwhelming intersection between alt-right spaces and porn.
Other things that interrupt masturbating? Oh, you know — evidence, citations. Those little facts of external reality that call us into responsibility, that tell us our pleasure is not the only thing that exists.
Jordan Peterson rides a similar train, only in first class, and tenured. This modestly-titled clip is typical of his in-person somatic strategy, marked by constant repetition: pacing, hand gestures, head-tilts, the pretence of making eye contact. Again: try watching for a minute with the sound muted.
Back in June I went to one of his public lectures. It was sold out: 500 people, $30 each. $15K gross on a regular Tuesday night. Crowd was 90% white. Lots of buzz cuts, ball caps and sun glasses amongst the men, who made up maybe 70% of the crowd. Amongst the 20% of the crowd who were over 40, the vast majority were men. Going for a pee was like being at an NHL hockey game in 1978.
As Peterson strode onto the stage, the guy beside me yelled out over the applause, “There he is, there he is!”
The lecture was a stream of folksy megalomania: one long off-book, beyond-scope-of-practice-for-clinical-psychology digression after another of his alt-right sweet spots. He held out for 107 minutes before substantially addressing the published topic for a 2-hour event — The Tower of Babel (appropriately), and The Flood. And the actual substance he got to seemed designed to avoid distracting anyone from the mystery of himself. A key slide cited a banal remark from Mircea Eliade on the ubiquity of flood narratives (1:47:59). No citation provided.
It was like he wasn’t even trying to conceal the fact that he’s not interested in the content.
Why should he? Nobody was there for the content, advertised or otherwise. They were there to commune with Peterson’s body, his performance of radical bravery, his fragility and grievances. Their adoring gaze on him was only broken by thrilled shudders elicited by phrases like “cultural marxism”.
Okay, full disclosure:
I know what this stream of loghorreic bliss feels like. Both of the cults I was in in my late 20s / early 30s were led by men whose social and somatic power hinged on being able to flip into these states at will.
In both organizations, I progressed far enough up the hierarchy to be invited to give sermons to entry-level members. The content was spiritual revelation, and I was to mimic the guru.
Before it felt terribly wrong — which was pretty quick — it was exhilarating. The format was “dharma talk”, or “satsang”. The premise was that I had something deeply subjective yet universally applicable to share. I could feel myself “filled with the spirit” of the guru. No other resources were needed. I opened my mouth, and something “inspired” poured out, fast. I created a wall of sound around myself that gave some kind of relief. I felt as though I was within a ring, but also rising above myself.
I’d had experience with this before, albeit “secular”. As a young poet and novelist, I would give readings from my work around town. (That was “social media” in those days.) I remember feeling that the microphone was like a gun-shield, and that if my text could fire out and overwhelm the room, my brilliance would be clear to everyone. My presentation style was loud and fast. I inflated myself with every inhalation.
It wasn’t unique. Many of the men I worked with and loved nurtured a similar affect. One of them, the now-famous Christian Bök, was then famous for reading his language poems so loud and fast that he literally foamed at the mouth. But Bök was self-consciously performing a kind of mania, mimicking the machine-like virality of language itself. Most of the rest us were just trying to emote, without receiving anything. As with punk rock, I think it was very hard for us to find the line between catharsis and aggression.
I haven’t lost my taste for holding forth, though it has declined to the extent I own my general shame. And to the extent that writing helps me sublimate an impulse I believe flows out of a deep wound. When I lecture now, I feel distinctly inadequate, and I try to respect and treasure this rather than overcome it.
I emailed a friend and veteran psychologist about the phenomenon of speed and overwhelm in speech. She wrote back:
In psycho-traumatology the concept of “pressurised talk” is considered symptomatic of a cry for help that went unanswered. It’s a new addition to the fight-flight-freeze-submit roster. And it’s helped me sit with many traumatized people who fill their hours with a wall of words. Simple, ongoing listening, with facial & gestural attunement (rather than the frustration, disbelief or boredom that this defence is unconsciously intended to re-create) slowly works its wonders. It seems that it is dangerous for them to allow a pause or moment of reflection. “Going inside” means losing your constant, necessary vigilance against the world.
I talked about Peterson with another friend. He remarked that Peterson sounds like he’s trying to speak while someone is throttling his neck.
I hear it too. He’s always running out of time. Why? Because things are always so bad, culture is always dying, the world is always ending. Patriarchy always holds the apocalypse over our heads like some fantasy of ultimate violence: wait till your father gets home.
Peterson’s fans have pointed out that he sounds like Kermit the Frog, which lets them fantasize about his archetypal resonance with Pepe the Frog.
Again, it’s not about data, or content. It’s about free association, rhythm, dream states, and the passions unleashed by all three. Which is why it makes sense that another alt-right babble-mouth Mike Cernovich compares himself to a DJ:
I would say that I pay more attention to what DJs do and how DJs manage their gigs and their fan base than anybody in traditional media.
Alex Jones has the same throttled, pressurized voice. So does Tony Robbins, though he powers through it. So did the late great B.K.S. Iyengar. So does Michael Roach. So does Trump, though in a less obvious way: you can hear all of his vowels bottlenecking through jaw tension.
This might be a weak correlation. Jones’ voice also sounds soaked in bourbon, while Robbins lives with acromegaly. And of course vocal strain or awkwardness does not imply traumatized charisma.
My gut telling me there’s something more going on with these guys might be more of the same self-centred speech, but I’ll risk it:
Yes, they speak through the feeling of being choked, of having to overcome attackers. They also speak through the strain of the pubescent boy’s voice. as it breaks into a dangerous vision of manhood they feel it’s better to dominate than change.
In Neil Pearson’s Mettaversity presentation on how pain science can inform yoga practice, the paradox sharpened. This is what I gathered: Continue reading “On Pain, Awareness, Self-Regulation, and What People Want in Yoga”