Please support Michael’s partner Carina and children through this fund.
Photo courtesy of Ian MacKenzie.
Content warning: description of organ harvest.
I started writing this the day my friend Michael Stone died. On that day, the surgeons carefully cut into the body associated with him, to take the parts that used to be him and give them to others in need.
I wasn’t there, but I picture the following:
Their scalpels slide under the skin that was him, and was scanned a hundred thousand times in vipassana meditation.
They poke through the webbing of fascia that was him, and was stretched and twisted through a hundred thousand yoga postures.
Their blue-gloved hands, splashed with blood, pluck out two kidneys like sleeping fish.
They saw through the ribcage, softened by a decade of exhaling visualized light in the Tibetan style. They lift out the still-pulsing lungs, and watch them shudder to stillness on the ice pack. As though Michael were still practicing to lengthen and smooth his breath into that single point of silence he craved.
The transplant team demonstrates an ancient proof in Buddhist logic:
If you look for the person among the parts, you will not find him. “Michael” and “my friend” and “Buddhist teacher” are designations applied to a collection of skin, blood, voice, eyes, behaviors, images, and mysteries. All of which are ultimately ownerless.
One of the mantras Michael sought comfort from was: There is no “me” or “mine.” It’s an assertion of emptiness, but it hides a multiplicity: Michael, like any person, was many.
There was Carina’s Michael: doting and vulnerable. The Michael who stood large beside his brother Jayme and sister Sunny. The Michael of his parents, his teenage friends, his first partner. His friends from many walks of life. Those who didn’t care about Buddhism or yoga.
The Michaels of his children: Arlyn, and the two boys he had with Carina. The thirteen year-old, the four year-old, and the toddler knew different fathers. Baby-to-be heard a resonant voice to be remembered in dreams.
In rings circling outwards, more Michaels appear, each one a little less knowable: therapist, sometimes-monk, public speaker, heartthrob, author, entrepreneur. And of course, Michael the dharma teacher, sitting at the front of the room, by turns radiant, startled, or wooden.
Which Michael did his Buddhist teachers see? His therapists? His psychotherapy supervisor? What about his doctors?
Who was Michael to the man who sold him that little white pill?
The surgeons murmur over the body, and it sounds like prayers.
If you knew and loved Michael through his work, you beat the surgeons to that harvest.
You harvested the voice of his writing and podcasts, marked by the rhythm of the practices he loved and depended on. His penchant for boiling the broadest themes down to taut aphorisms. And for finding the Buddha everywhere he wanted to find him: novels, obscure Canadian poetry, cool apps, superior espresso, pop music, therapy, laundry, mountains, streetcars, his motorcycle, and hospitals.
If you were a student who went to his retreats, you harvested other things. Like how so many mirrored his exquisite posture with equal parts earnestness and piety. You absorbed a dynamic silence – at times anxious, haunted, or womblike. The talks he gave were metronomic, as though he needed the entire world to slow down and listen at the exact pace that soothed him. Then, his quirky yoga instructions tangled you up on your mat, made you teeter and laugh.
Perhaps you had a meeting with him about your meditation or yoga practice and he dispensed advice that connected, perhaps miraculously. Was he intuitive, or lucky? You can’t honestly say. Or maybe the meeting made no sense at all, and you felt odd about that – maybe even apologetic, like you were letting him down. Or: he outright frustrated you with those blue eyes that could seem to know you, love you, judge you, or be lost, all in quick succession.
You collected the countless steps of walking meditation, and the group chants Michael loved. They may have stirred you deeply. Or you may have found that in the English translations from Sanskrit or Japanese he collected and tweaked, they sounded angular and explicit to the point of embarrassment:
Don’t squander your life!
Does anyone really squander their life?
2013. We were walking through Mile End in Montreal, looking for the perfect cortado. Michael was telling me he’d backed off on the rigidity of practice in recent years, as we tend to do.
“I’m leaving just enough discipline to hold the shape of something,” he said, on the step of Café Névé. He gestured in the cold air with his hands.
That something was always meticulous, artistic, and intense. It felt like his longing for ritual order emerged, as much religion does, as an artistic response to internal and external chaos.
I remember when he rented my old space in Cabbagetown for several month-long retreats in 2006. One was in February. He’d ride his Danish bicycle over from Parkdale, and come in with snow in his beard that melted into the cup of coffee I handed him. Through the day, I sat at the desk outside the room, working to the rhythm of his somnambulant baritone, lulled by the vowels.
The students were Gen X, Y, and millennials, countercultural. Three-quarters women. When they trickled out to the bathroom they moved quietly and kept their heads down. It seemed like they were under a thrall they couldn’t risk breaking. When the studio door was left open, I could see the cohort encircle him. Some sat very close, absorbed in him.
I was impressed, and uneasy. What was going on? How did he manage to make all of that attention directed at him seem natural?
The fragments of his talks I overheard rung with a single note. It wasn’t from Buddhism or yoga. The texts were delivery devices for a sense of collective certainty, expressed through the first person plural.
“When we feel… we often find… and then we get caught up in… and so we practice because… and we fail… our hearts are like… our armour falls away… we are open to… we can be receptive to… we touch intimacy… we continue on with our work, not knowing.”
Michael’s register of wisdom could make people feel merged with each other, and with him. It created a feeling of group confession that generalized and depersonalized towards an unboundaried warmth. It seemed to hold nothing in private.
When the group left at dusk, the building vibrated. I’d sweep the room and then pause for a while by the altar they’d made by the window. I took note not only of the personal artifacts people had brought, but also the pristine and eccentric aesthetic Michael inspired. Japanese paper, quirky calligraphy, microbrew beer coasters folded into squat origami turtles.
The style was hipster zen, years before it was a thing. But instead of irony, it was imbued with what his brother Jayme described over the phone as Michael’s sense of the “ceremonious”. That same sense, Jayme said, that made the scene of Michael’s death so uncharacteristic of him.
I was never Michael’s student. I was his peer, colleague, co-author, and eventually, his friend.
I was that friend – I’m sure there were others – who made fun of him for having students. I would say:
Look at the mess you’re in now. People expect you to give them spiritual advice!
He smiled and shrugged, a little bashful. Sometimes he laughed. It was like he didn’t know how it all happened, even if he knew how to nudge it along. He didn’t stop it, because it seemed to be working. The glowing feedback he got burned everything else away. It’s hard to imagine anyone around him being large enough to persuade him to slow down.
But he asked everyone else to slow down, and look within. I wonder if he needed those around him to find the answers he couldn’t.
Friends harvested more hidden things:
His bouts of social unease, his obsession with dorky trivia and dark humour. You saw him long for guidance from senior teachers, like a prodigal son. He would connect with them, misfire with them.
You saw him draw conflict, get defensive, take a breath, take inventory, try to make amends. He would drift away from these people over here, become infatuated with others over there. You saw the acrimony from his divorce spill out and polarize a community. You understood that his prescription to always practice intimacy and forgiveness was the one he had written for himself.
You saw his effect on women, of all ages. They adored him and confessed to him. They poured their labour into his projects. Some became angry when they realized the imbalances. When they ghosted away, others came to replace them.
In such seemingly progressive spaces, it can be hard to call out hierarchy. The spirituality industry wants to make Iron Age yoga and medieval Zen look like they aren’t patriarchal in theme, form, and division of labour.
If you were a close friend, you saw how Michael’s doubts about his direction and competence were punctuated by flourishes of manic creativity. You saw how easy it was for his vision to outpace his introversion, and his appetite to outpace his digestion.
When he was flying high, his intellect became very porous, consuming and repackaging every idea he loved with dizzying speed. He was a DJ of ambient Buddhism, mixing freely from whatever tracks he could find.
If you were close to him, you collected his surges of warmth. These became more poignant when you realized that he often had to climb up out of a dark well to let them flow. You collected things that were hidden by his stylishness, his supermodel looks, and by the gold paint that people sprayed on him in their minds and online.
Maybe you were close enough to soak up what he was like with his family in its various constellations. How he loved and baffled them, how he thrilled but could also disappoint. How relatives orbited his sun in seasons of estrangement and reconciliation.
When he touched Carina’s hand or when his sons clung to his arms, or when he listened to Jayme play the banjo, or when he watched his sister Sunny whip up her cooking magic, you could feel his love come out in a flood of bewildered tenderness.
He ended our book together with a distillation of such moments:
Everything was in its right place and everything was heading in the same direction. In my body I felt something new about life: not my own life, but about the whole parade of humans moving through the world, of which my family was only one small part, but the largest part of the world I could ever know.
If you worked with him, like I did on his talk about struggling with the danger of his own charisma, you harvested the giddiness of his concentration. You understood that he survived in part by taking risks.
After their first son was born, Carina asked him to sell the motorcycle a psychic had told him he should buy. He did as she asked. But he kept driving too fast in his mind.
When we worked he would pause, waiting for the words to come. I could feel him teeter on the edge of something. One March day, I prodded him a little harder. I could hear his tapping keys over the phone as he murmured:
“I came to understand the shadow of charisma — of my charisma — was dependency.”
There was that feeling I often had around him. A lightning bolt of clarity, and then something fuzzy and frenetic rushing back in.
He was impatient with whatever couldn’t be finished with the speed of a zen brush painting. I would offer a paragraph of commentary; he parried with a sentence. I built things up, and he hacked them away. He loved the koans that could be answered in a single word. He was acutely aware of the shortness of time, and he’d learned that art must be made from the simplicity of panic.
I can hear him saying now: “This elegy is too damned long. And you always go too far!”
I yell into my silent phone:
Dude, I’m just getting started. And you’re the one who went too far. Gone, gone beyond, and all that, right?
I wait for his laugh.
During a snowstorm three years ago, Michael and I met for lunch to finish work on our book. At one point he stopped and leaned over to ask me something that wasn’t really a question.
“Hey – do you generally feel even-keeled?”
“I guess. Can you say more?”
“I mean – do you feel in control of your emotions?”
After I fumbled through an answer, he told me he was struggling with his mental health. That it had been going on for as long as he could remember. Suddenly many things made sense.
We got very still and gazed at each other. After a moment, I realized he was gapping out. I’d seen this before, but now it was clear that he had to struggle to come back to the table.
It occurred to me that this oscillation between intense focus and vacancy was part of what drew people to him. Like he could see you, and that felt so intoxicating, but then you’d have to chase after him to feel that again. Like he was profoundly okay in one moment, but you wanted to save him in the next. Or maybe you thought he was regularly falling into a meditative trance.
Things became more transparent between us, but never fully. I loved him more, even as – or because – I felt more uncertain about where he was going. I knew I’d been drawn to him without understanding a crucial thing. I was in his sphere because he’d cast a spell over me. Part of me resented that, but now I could love him closer to where he was.
We deepened things by trading war stories about our health. On the phone he’d tell me about crushing insomnia. About having to fly places and teach meditation on autopilot because he was exhausted and agitated. I told him about my heart palpitations in the middle of the night. He’d had that too. Once, I picked him up from the hospital when he went for knee surgery to fix the damage from that stupid lotus pose. Or was it skateboarding?
I developed a pulmonary embolism a few months after our book was published. I could easily have died. He was the first person outside of my family I called. I knew he would say something luminous and comforting. But there was also the feeling that I wanted him to know I was joining him at the edge of something.
We talked a lot about self-regulation. He told me that he’d stopped meditating everyday as an experiment to see if meditation was actually making his swings worse. He suspected it was. This was around the time he taped an interview with the world’s leading researcher in the neuroscience of negative meditation experiences. I’ll bet the turns of his research interests map perfectly onto his internal labyrinth.
I had to take warfarin to thin out my blood clots. He told me that lithium seemed to help even out his moods. We joked about it: after years of studying Ayurvedic diet and self-care, here I was, kept alive on rat poison. And for him — after scouring the library of scriptures, he’d found the answer in the periodic table. A single molecule, labeled “3”.
I said it was the chemical version of the triple jewel of Buddha, Dharma, and Sangha. He laughed his broad broken laugh.
Over the next few years I saw Michael increasingly exhausted by a race against the pressures of his persona, the tightening claustrophobia of his brain, his search for better medications, and the possibility that disclosing it all would help, or at least give him the next thing to work with. I thought about the growing distance between what he saw in the mirror and the headshots staring out at him from the screen.
His public life went viral, even as he seemed to become more isolated. He kept preaching the necessity of practice, even as I knew practice was less accessible to him. His sermons were about place and connection and sustainability. But he composed them on airplanes. He preached about community from the remote island he moved to after leaving the community he had founded.
When he was getting ready to move out west with Carina and their first child, he called me to say that he wanted to give me a bunch of his books on psychoanalysis. Two titles stood out: Being a Character, by Christopher Bollas, and Terrors and Experts, by Adam Phillips, who Michael and I had recently gone to see lecture.
Bollas describes the devastating results of living in the prison of other peoples’ idealizations. Phillips opens his book by quoting Iris Murdoch on how philosophers show you what they fear through what they become experts in.
We thumbed through his books, stacked in the front hallway. “I really think psychoanalysis,” he said, “gave us the most beautiful literature we have.”
He sounded wistful. I don’t know whether he was giving me a message, telling me about what had helped him find peace for a while, or parting with things that hadn’t worked. He handed over the books with a generous smile, and his body pulsed with warmth when we hugged. But as I drove away I felt like a thief.
As time wore on, Michael became an ever stronger advocate of the thing he struggled to do. Show each other your face, he would say.
I wondered whether his ideas got larger as his internal space and room to breathe narrowed. Not only did he constantly push himself to break new ground in Buddhist thought, he wanted to carve out a leadership role in the movement to renovate yoga postures. There was talk of building a new centre in the western mountains, and landing a university fellowship. He told me about one of his next books, in which he was going to be more transparent about his mental health. He was searching for the right hook. Something that could go mainstream.
If he was going to own his mental illness, he was going to learn and write and teach his way through it. It’s what he had always done.
It is perhaps what the Buddha himself had done.
A main difference being: Siddhartha Gautama wasn’t preceded in the world by the images of his own enlightenment. He didn’t need to feed the insatiable hunger of wellness culture. He did not have to live up to – nor compete with – the branding of spirituality.
The poet John Ashbury just died at the ripe old age of ninety. He once wrote:
Most reckless things are beautiful in some way, and recklessness is what makes experimental art beautiful, just as religions are beautiful because of the strong possibility that they are founded on nothing.
Don’t squander your life!
Sometimes the group whispered it. At the memorial, one of his students shouted it at the top of his lungs. Who was he shouting it at?
Those who harbour anger at Michael right now – and feel so guilty because of it – might feel sucker-punched by that line. Doesn’t it open a cut of hypocrisy? Did he really recite it a hundred thousand times? Who was he talking to?
The stigma Michael faced is real. But the broader story must include the fact that thousands of us paid him for the creative side of his mania, which was hard to separate from his talent. A portion of our money poured directly into a small industry of marketing and publicity that reflected our desires back to us. It paid for gorgeous photography and design, for occasional ghostwriting, and for partnerships that gave structure and anchoring to his flow states.
The yoga and meditation economy embraced him with open arms. And enabled him. He was working on four different books, all in different subject areas, when he died.
He may not have wanted to disclose. But if anyone could have turned stigma into stigmata, it was him. The spirituality industry, however, would suffer for it.
A disclosure like Michael’s would continue to erode the arbitrary distinctions between sane and insane spiritual leaders. It would be that much harder to read Pema Chodron or Alan Watts without wondering how much of Buddhism amongst postmodern converts is an elaborate way of covering over a hidden story.
If Michael had disclosed, we would look at our shelves full of Shambhala titles and wonder how many trees were felled to print them. We’d remember that the press that launched him was itself launched by the mercurial genius of Chogyam Trungpa: alcoholic, womanizing, surely undiagnosed. We would not be talking about the fall of a single hero, but the clay feet of a culture. We might sense the deep feelings of shame and inadequacy that drive so many men to the front of the room to prove themselves. We think they are vibrating, when really they are trembling.
After that line about squandering your life, Michael’s assistant would strike the gong while holding the rim, so it couldn’t ring to its natural end.
I was always a crappy Buddhist. Over that surreal weekend of his coma, I felt so identified with Michael’s body that I felt some shadow part of myself on that ventilator, forcing me to breathe, waiting for it to be switched off. A more solid part of me was here, not believing that he couldn’t taste this coffee, couldn’t stand in this garden, couldn’t smile at his wife, couldn’t hold his toddler.
Even two weeks later, his death still seemed a spectacle to me, I expected him to step out from behind a tree, or send a text from the edge of Algonquin Park, where he disappeared to when he was twenty. As though he’d just been out of cell phone range, and had no clue there was such a fuss.
It only really hit home as I sat with my family on a driftwood log on a Pender Island beach with a hundred others at the memorial. The children waited patiently through the chanting, holding the paper lanterns they would release after the last bell.
Jayme stood behind the altar with his partner Laura and cracked open the Zen liturgy with his banjo and a southern spiritual. His voice, braided with hers, carried light and ash. Their three year-old son pulled at Laura’s dress, asking to be picked up.
If you’re a Canadian Gen Xer like Michael and me, you’ll probably remember a little Québécois film from 1989 by Denys Arcand called “Jesus of Montreal”. I went to the Carleton Cinema over and over again to soak it in. I wouldn’t at all be surprised if Michael was sitting there during one of those screenings. I was eighteen; he would have been fifteen.
The movie tells a simple, predictable story. A wandering actor returns to his hometown and is hired to direct and star in a revamp of the Cathedral’s chintzy Passion play. He’s silent, magnetic, dreamboaty. Also a little wonky. He electrifies an unlikely cohort of disciples and leads them in pulling their art and their lives out of banality.
At the peak of his influence, while performing Jesus, and not really knowing what he was doing, the actor accidentally dies.
The concluding montage leaves the main characters behind. It cuts from one hospital room to the next, showing patient after patient waking up after their surgery to receive an organ, donated by the actor who played Jesus.
An old man wakes up with a new heart. A middle-aged woman has the bandages removed so that she can blink at her daughter with new eyes, and call out her name.
This is my body, which will be given up for you, as they say in the church to which I once belonged.
I cried harder during that scene than almost ever before or since, and couldn’t move from my seat until the janitor tapped me on the arm at closing time.
Whenever I crest over this present edge of numbness and am finally able to cry about Michael, I think the tears will join the river that started in that theatre. They’ll flow from the material realizations of love:
I’ll feel how one body becomes other bodies.
I’ll feel that this is all there ever was or needs to be: a recycling of flesh into new joys and troubles. This is the way biology grants forgiveness. The process itself is the only soul we need to speculate about.
I’ll feel that in death, as in life, a person is both visible and invisible. Charisma magnifies this split.
Visible or invisible, Michael couldn’t be found or boxed in. I was foolish to think he could be. So it goes for those burdened with charisma. They are who they are because they seem so much larger and more permanent than you, even when they desperately want to be equal, normal, not-special; even when they want to disappear.
I know this tune: I’ve spent years deconstructing the light and shadow of spiritual teachers. On the surface my crusade has been related to healing from being in two cults. But the deeper drives that both attracted me to those men and led me to loathe them flow from my own need to be special, to heal attachment wounds, to be seen and praised — and then the shame of recognizing these things.
Pegging Michael as charismatic, and feeling smug about it, let me off the hook for years. I could only truly love him when I began to understand that he was living an amplified version of my own needs.
Part of why I wanted to be his friend was that I wanted to see myself more clearly. Knowing he did many of the things I work against, I tried to forgive him because he was ill and couldn’t seem to do otherwise. Perhaps he was my dharma teacher after all, teaching me about love in that sideways land of the unconscious.
My eventual tears will tally all I harvested in every moment I knew him – over years, and not just suddenly. The organs are just the last parts to be offered.
I’ll understand that those who speak most about community and ethics and family and forgiveness and intimacy are those who most long for such things.
I’ll sense that the pain of watching a person you love shattering into emptiness can be soothed by the feeling that he’s already inside you, transplanted, flaws and all. He lends you the heart, for the brief time we have, to take care of others.
On Monday, Federal MP Libby Davies stood in the slanting rain of St. John’s and voiced a primal fact: “Jack Layton gave his life for his country”. My heart is with her. But I’d like to add another focus to “his life”. His body was given, and is now returned, to his country, our land.
I write today as a poet and therapist of the body, about Jack Layton, on the day of his state funeral, which will wind through the arteries of my own city, dressed in blood-red maples. I awoke at 4am with lingering sobs that have now evolved into several scattered thoughts about embodiment, the dynamism of sacrifice and illness, dying as recycling, our ecology of giving and loving and burning. And I’ve added a few observations on the meaning of his bodily signs, culled from what I’ve learned of natural medicine and its maps of the flesh. I’m not writing with the presumption of having known him, but as someone who saw something from a distance that now makes sense, through this body. Continue reading “jack layton, the giving body, the anatomy of empathy, the fire, the light”