In October 1960,
A gas explosion tore off the back wall
Of the Metropolitan department store in downtown Windsor.
Nine seniors sitting on chrome stools at the lunch counter
Were crushed under the rubble,
Along with one young girl, who bled out
In the arms of two firemen who couldn’t pry her free.
One five year-old boy was small enough
That the blast threw him free and clear.
My great-grandmother ran the flower shop
On that street, and over the next days
My mother, fourteen, worked with her through the nights
Making the funeral bouquets.
The current explosion, also accidental,
is slow, almost invisible.
The elderly vanish. The shops remain intact.
No one is allowed inside them,
But the shopkeepers are still working
Through the night, or whatever we call time
In the enclosed and sleeping city.
The flower shop at the end of my street is closed,
But the keeper curates her shrinking deliveries
As people call in for wreaths, centrepieces.
We can still do funerals, though no one can attend.
Two blocks down, my barber visits his quiet shop
To sit in his own chair
And listen for the echo of banter and trash talk.
To watch the sunlight pass through the barbicide
And the shears glint gently on the flannel.
Beards are growing in homes,
Like the community gardens, locked up and tangling.
An arthritic priest fumbles with his iPhone
On a tripod, on the altar, trying to frame
His face, the book, the chalice, stained glass behind him.
A parishioner Amazoned him a selfie ring-light
And it glows like a hollow monstrance.
He’s joining an ancient line of hermits
Performing rites for laypeople, remotely.
There have always been funerals that no one attends
Except those who are working on them.
Poverty, trauma, and alcoholism socially distance.
Once a month when I was a church organist,
I’d play at the service of some war vet
Who’d died on the street.
The Legion paid me, the priest, a bagpiper,
And five bucks for the altar boy
To carry the candle and fold the flag.
I sat up in the loft and listened to the gospel,
Stared out the clerestory,
Shivered when the pipes droned and cried Going Home.
Three men, a coffin, and a boy,
Standing more than six feet apart,
Saying nothing to each other apart from the ritual,
Watched by no one, careful to get it right.
Except for the boy: young, easily distractible,
Not quite part of this slow disaster.