On Saturday, August 4th, senior Shambhala International teacher Judith Simmer-Brown gave a talk in Boulder as part of a series called “Conversations That Matter”. The title was “Caring for Community,” and it was structured around a set of slogans called “The Four Reliances”, which are meant to help Buddhist practitioners separate out mundane and spiritual concerns.
In this context, the slogans were offered to help Shambhala practitioners in particular renew their commitment to the group’s ideas and practices, in the midst of continuing revelations of abuse within the group itself. They advise the practitioner to see immediate and obvious circumstances — and their interpretation of those circumstances — as ephemeral (or at best instrumental to a higher purpose) and to develop a depersonalized, non-judgmental, and non-verbal devotion to the group’s content.
The “Four Reliances”, featured in several Buddhist texts dating back to the first century CE, are:
- Do not rely on the personality or individuality of the teacher. Rely on the Dharma teachings themselves.
- Do not rely on the literal words. Rely on the meaning of the teachings.
- Do not rely on merely provisional teachings. Rely on the definitive or ultimate teachings.
- Do not rely on conceptual mind. Rely on the nondual wisdom of experience.
The presentation series is hosted by the group’s flagship Center, founded in 1970 by Chögyam Trungpa. Simmer-Brown’s talk was livestreamed for members of the public who registered via the Zoom platform. I registered under my own name, and recorded the event. No copyright notice or privacy request was posted.
Appropriating a popular concept from trauma-recovery discourse, Simmer-Brown explained that her talk would offer “foundational things that we need to know in order to be resilient practitioners.” In the Q&A that followed, she suggested that such resilience could be nurtured by the activities of the very group that had caused the trauma. “Our confusion and pain,” she told one questioner,” might drive us more deeply into practice.”
The appeal from group leaders to double down on group practice in the face of group abuse is a common theme in the crisis responses of yoga and dharma organizations. When the news of Pattabhi Jois’s decades of sexual assaults on his women students began to go mainstream, a common insider response was to repeat Jois’s most famous aphorism: “Practice, and all is coming.”
As the Shambhala foundations shake, many devotees are likewise relying on beloved sayings of Trungpa, such as: “The essence of warriorship, or the essence of human bravery, is refusing to give up on anyone or anything.” (the recent remarks of Susan Piver, as well as Pema Chödron’s 1993 and 2011 responses to Trungpa’s own abuses. Continue reading “Judith Simmer-Brown to Distraught Shambhala Members: “Practice More.” (Notes and Transcript)”A similar theme grounds
(With thanks to Karen Rain for her editorial suggestions.)
In this Triyoga Talks podcast (transcript excerpt below), Jivamukti co-founder Sharon Gannon is asked about why the Jivamukti New York flagship studio has started using consent cards. Gannon throws the question to studio director Jason Morris, who takes the opportunity to present some rebranding talking points.
For Morris, Jivamukti “has been a safe haven” historically, and offering consent cards is a way for the brand to continue to be safe, and to be “at the forefront” of the conversation on consent.
This is a revisionist stretch.
In 2016, JYS settled a sexual harassment lawsuit against lead teacher and trainer (Gannon was also named in the suit) in 2016. In an interview, the plaintiff in the suit suggested that a culture of implied consent in relation to adjustments was a factor in the harassment.
The 2012 book Yoga Assists: A Complete Visual and Inspirational Guide to Yoga Asana Assists authored by Sharon Gannon and her Jivamukti co-founder David Life does not contain the word “consent”, nor any substantive discussion of power differentials in teaching. The book is currently on sale in their shop. Continue reading “Jivamukti Yoga Claims Position “At the Forefront” of the Consent Card Movement”
This is a followup on notes I published about the structure, language, and impact of disorganized attachment evident in the Shambhala organization. It also provides an update on the question of Chödrön’s approach to Shambhala history, and whether it provides clarity or obfuscation in relation to the present revelations of institutional abuse.
On July 13th, Dzongsar Jamyang Khyentse (Khyentse Norbu) cited Chödrön’s 1993 interview with Tricycle as a laudable example of how a Vajrayana student is to view and contemplate their teacher. However, Norbu incorrectly dated Chödrön’s statement to 2015. I argued that this unfortunately could create the unfair impression that Chödrön’s 25 year-old views are current, and perhaps issued to pre-empt current criticism of Shambhala.
But in the 2011 hagiographical film “Crazy Wisdom: The Life and Times of Chögyam Trungpa Rinpoche” (New York: Kino Lorber), director and Trungpa student Johanna Demetrakas records Chödrön delivering an aphoristic encapsulation of her 1993 statement.
At time cue 51:00, Chödrön says:
People say to me, how could you follow a teacher like that? Or how could an enlightened person do that? I do not know. I can’t buy a party line where they say it was sacred activity or something like this. Come up with ground to make it okay. I also can’t come up with ground or a fixed idea to make it not okay. You know, I’m left, really left in that I don’t know. I don’t know. But I can’t answer the relative questions because he defied being able to answer them.
It identifies Mukpo as both the reincarnation of a Tibetan saint and a meditational deity. It says that he is a king, a ruler of the “three worlds” (of desire, form, and formlessness), and the “manifestation of buddha activity.” The chanter prays for Mukpa’s influence to spread through Jambudvipa, which basically means “earth”, but from the perspective of deities who can perceive multiple worlds.
According to members I’ve spoken with, this chant is deployed to two contexts. At some Shambhala centres, entry-level members are introduced to it at weekly gatherings. When they ask about the chant’s meanings or express discomfort at praying to human being as if he were a deity, they are typically told that they can understand it “symbolically” for now, and that deeper meanings will be unfolded at higher levels of commitment.
The second usage of the change comes at those higher levels, where, along with explication, the chant itself becomes an expression of “samaya”.
“Samaya” is a “contract” to a teacher made in Tantric streams of Indian wisdom culture. Breaking it, which can happen through as little as thinking badly about that teacher, is said to result in endless cycles of disgusting and horrific torture in “hell-realms”. Over the years I have received communications from members of neo-Tibetan tantric groups who say that this is a source of literal terror for them.
I don’t think it matters that much that the literal meanings of these threats might be lost on postmodern practitioners. When I had “samaya” with Michael Roach and his teacher, the late Khenpo Rinpoche, I took the gory details as metaphors for inescapable psychological pain.
Many traditionalists would say that a text used for Tantric practitioners is actually forbidden to those who are not initiated. In other words, it would be “illegal” for students who had not attained a certain maturity in relation to the teaching content to be asked to read ritual literature “symbolically”. Amongst all of the ways in which the followers of Chögyam Trungpa Rinpoche have, like him, both appealed to “tradition” while holding it in contempt, what would this one be about?
A commenter on my Facebook feed wrote about how he was asked to hold the meaning of the chant symbolically as a new student. He remarks:
“Sadly it turns out that this soft-symbolic, “Don’t worry about it’, ‘You are your own meditation instructor'”, guidance on the chants is actually a bait and switch for those who enter the Vajrayana path, which I fortunately never did.”
The commenter’s observations describe a well-known feature of cult media.
The two performance levels — intro and advanced — allow this same chant to perform the dual functions of propaganda and indoctrination described by Alexandra Stein (via Hannah Arendt) employed by cultic organizations. She explains the difference here. My argument is that the intro-level chant, explained to newcomers as symbolic, works as propaganda. The advanced application, with its more literal implications and commitments, functions to deepen indoctrination.
“Propaganda is not indoctrination, though it may be the first step towards entering a process of indoctrination. Indoctrination is what happens during the subsequent process of brainwashing within an isolated context. Importantly, those to whom propaganda is directed are not yet isolated or are only partially so. They still have some points of reference in the outside world. They may still have friends or family or colleagues with whom they can check out their impressions. The much more intense process of indoctrination to extreme beliefs occurs when the new recruit has been successfully separated from their external contacts. Then they can begin to be broken down, to lose their own sense of reality, their own common sense, and they can eventually be pressured to take on new and often dangerous or damaging ideas and behaviors. This part of the process can sometimes take years. Propaganda can be seen as the softening up process that gets the recruit to the point where indoctrination processes can start to be implemented. Propaganda must be believable enough, must have some kind of hook into the real world so that potential recruits will follow the thread and not simply be repulsed immediately.” (2017, 53-54)
According to this schema, it would be worth investigating the relationship between popular Shambhala-based books and media content and the ritual literature of the inner core. The books on the Shambhala Publications back list, for example, might function as a “transmission belt” (again, after Arendt) towards the inner core and its high demands.
I don’t know how many people have “samaya” with Ösel Mukpo, but there are at least 200 gathering on the 15th at the Shambhala Mountain Centre. (More on this in this earlier post.)
Emails to registrants confirm that Mukpo won’t be there, and suggest that the retreat leaders will be attempting to “separate the teacher from the teachings”. In the case of this upcoming “Garchen”, those teachings are said to have been mystically revealed to Mukpo’s father in the early 1980s, and now Mukpo himself.
But this chant, in which devotion and metaphysics are inextricable, makes it clear just how difficult separating the teacher from the teachings actually is in this and other communities governed by modern appropriations of “samaya”. Devotion is the content. The medium is the message.
Reformers who really want to work towards student empowerment and safety have to not only insist upon the physical and administrative withdrawal of an abusive leader, but re-imagine a curriculum somehow separate from its origin story. The content didn’t come from outer space.
The manual from which this is taken ends with the statement: “This material is available in limited publication, and no general publication is made or intended. No part of this material may be reproduced or published in any form without the written consent of the Nalanda Translation Committee.”
Here it is anyway, because transparency, right? It’s important for everyone in yoga and Buddhist communities, which are so susceptible to mechanisms of undue influence, to see how hidden materials of indoctrination work.
Also, no author gets to establish the “intention” of a text as somehow separate from the way it is read, or its various impacts. That goes for me as well, which is something I contemplate as I continue to cover this subject.
On June 30th, meditation instructor Susan Piver posted this reflection on the crisis unfolding within Shambhala International. On July 5th, I published this response. But before I did I reached out to her to let her know it was coming, and to make sure that she felt it was fair. She asked for one correction, which I made, but then also suggested we book time to discuss our text-exchange via Zoom, and record it. Here it is.
I’d like to thank Susan for her invitation and her resilience in considering criticism. I’d also like to say something I think I left out of recording: I’m sorry my analysis hurt her feelings at first. I really admire her ability to pivot into a discussion nonetheless, and to have been inspired enough to turn this moment into a learning opportunity for her community, and for me as well.
A Disorganized Attachment Legacy at Shambhala: Brief Notes on Two Letters and a 1993 Interview with Pema Chödrön
On Sunday, a unknown number of unnamed “Women acharyas” released this unsigned letter. The acharyas are a group of Shambhala International leaders, empowered by their current head, Ösel Mukpo, to represent the legacy and teaching content of the organization. Their letter responds to a call for action from members outraged by revelations of continued institutional sex and power abuse in their community.
Mukpo stands accused of sexual misconduct by three anonymous women whose voices have been recorded by Andrea Winn in her Project Sunshine report. He has posted a vague admission of guilt. Winn’s work has pried opened an unhealed wound carved out by the abuses of Mukpo’s father, Chogyam Trungpa, and his lieutenants. Those stories are still coming to light, and they are unbelievably savage.
Insiders will be able to better parse out the likelihood of whether this particular political constellation of “acharyas” is equipped to understand the dynamics within which it is embedded and strong enough break out of them. I don’t pretend to have any insights on that. I hope I can, however, point out a key characteristic of crisis communication that does not bode well in the present, and which has deep and influential roots in the past. Continue reading “A Disorganized Attachment Legacy at Shambhala: Brief Notes on Two Letters and a 1993 Interview with Pema Chödrön”
Image: myself and Diane Bruni at the #WAWADIA event on May 29, 2014. I refer to this event in the interview. The write-up and (unfortunately) butchered video is here. I love how Diane is looking at me here, trying to figure out how full of shit I am.
Thank you to J. Brown for having me on his podcast, as part of his series about current news in the Ashtanga world. You can also tune in to his talks with Kino MacGregor, Scott Johnson, and Sarai Harvey-Smith.
Here’s our talk. Resources and transcript (trimmed of intro/outro) below.
Here’s where I’ve quoted Theodora Wildcroft on the fear of contagion elicited by the voice of the victim.
Here’s my conversation with Colin Hall and Sarah Garden.
I’ve posted the classic “Deception, Dependence, and Dread” summary from cult researcher Michael Langone here.
Hi, how are you?
I’m good, I’m good. I just listened to your intro to Scott Johnson. I didn’t listen to what Scott had to say, but I really appreciated the intro, it was good.
Well, thanks. There was still some debate about it, I guess. I just default to transparency and not everybody always thinks that’s a good idea. But for me, it’s where I feel most comfortable. So, thanks. But what else, what’s been going on, how’s your day going? It’s the middle of the day for you too, right?
It is. And I just got up from a nap with alongside the almost two-year-old, Owen. And that was really good because I was up until about 1:30 in the morning after doing another interview with my friends Colin Hall and Sarah Garden at Bodhi Tree in Regina. It took me a while to come down off of that. But the sun is shining, we got some backyard cleaning done over the weekend, we emptied out the basement. Things are heading in an upward arc it feels in many ways.
Yeah. You know what, you mentioned two and a half years for your son and-
Almost two, he’s going to be two on May 17th.
Well, we last spoke, the last time you were on the podcast was May 2016.
Oh, my goodness. Was he born or not?
I guess he wouldn’t have been born because it’s exactly two years ago. But we spoke about that book that you wrote with Michael Stone about becoming fathers and stuff. I remember that. I can’t believe it’s been two years.
Yeah, it’s been a long time. We’ve been in touch since. The difference between the podcast and being on the phone is a little bit thin.
That’s true actually. That’s a good point because sometimes, I had Peter Blackaby on and I had not had other conversations with him other than the two that you hear on the podcast, but you and I had had many conversations. There is a three line there. And gosh, so much has happened. When we last spoke, we were talking about WAWADIA still. And right at the end of that, we were saying, “Oh, it’s going in different directions.” And people were sort of, I think upset back then and maybe still that it was started out as what poses hurt you, what poses don’t hurt you. People wanted to sort of have some how to practice safe in clear, simple answers. And you were like, “I looked at it and I don’t know that pose exists. And you were saying that it was going in this direction of the interpersonal dynamics that were going on.
Yeah. That’s a good summary actually. It took about two years to figure out that I was barking up kind of a dissociative tree, that when the hard data is really laid out as I think you yourself suggested those years ago and perhaps before that as well, we don’t really see that yoga is any more damaging physically to anybody than any other physical activity. In fact, it’s probably safer. When that was clear, for a moment I held on to this notion that the problem with yoga injuries is the problem of expectation, that people get involved in this practice for therapy and spiritual healing. And why it seems very bizarre that they would hurt themselves, that they would develop repetitive stress or chronic pain.
I held on to that for a while. But trying to hang a research narrative on that premise became a lot less important than realizing the kinds of stories I was overlooking or I was papering over in the midst of all of the interviews that I was doing with people who had injured themselves or who had been injured by teachers. And a couple of key things happened that kind of spun me around. And one of them was that Diane Bruni was an early supporter of the work and she was one of my first interviews. And she told me about the correlation between overuse, repetitive stress and her hip injury coming out of the Ashtanga world.
And I interviewed her, it was a really compelling interview. She loved the project, she was a big supporter and she wanted to host this event at her home studio in Parkdale here in Toronto. We advertised it, it was going to be under the banner / branding of WAWADIA or my project. And 60 people showed up, and she was going to speak on her injury experience. I was going to give my initial research that was related to psychosocial dynamics of injury. And then we had also a sports medicine doctor who was going to come, and he was going to do a little bit of statistical analysis on who got hurt when and where and how. And Diane was going first, and she just did not follow the plan. That’s not really her jam.
It wasn’t unexpected, but at the same time, what she began talking about was really outside of what I felt the scope of my project should be. She started talking about the whisper network that she had encountered in the late 1990s that informed her that Pattabhi Jois was allegedly assaulting female students. And she described how that led her into a kind of crisis of faith and professional choices like how was she going to associate herself with a system where this was true? And the information that she had was credible. She told the story, and I was sitting there gripping my meditation cushion listening to her say it and thinking, “This wasn’t in the program, this wasn’t part of the deal.”
Karen Rain Speaks About Pattabhi Jois and Recovering from Sexual and Spiritual Abuse — Video Interview
Thank you for visiting this page. If you scroll down past these intro notes, you will see the full transcript of the interview offered below, for easy citation.
We’d like to start with a trigger warning:
This interview conveys details of sexual assault and the silencing of a victim of sexual assault. The descriptions are detailed and emotionally charged.
One of our supportive advisors offered the following feedback: viewers should leave good time for self-care while engaging with this video.
It was suggested that this might be especially important not only for those whose trauma occurred in yoga spaces, but also those who have gone to yoga for healing.
We’d also like to offer the following resources, notes, clarifications, and links.
- The Walrus: Yoga’s Culture of Sexual Abuse: Nine Women Tell Their Stories
- Karen Rain’s blog.
- Anneke Lucas’ 2010 disclosure (republished in 2016). This is to my knowledge the first public disclosure.
- Bodhi Tree Yoga, Regina, SK. (Thanks, Colin and Sarah.)
What I’m learning from others is that trauma stories can rarely be remembered and told in anything that resembles a linear arc.
The reason for this is that trauma disorganizes the continuity of the self.
Details are broken, and their fragments are retrieved in an unpredictable order.
Therapists have known this forever. They register the verbal evidence of the earthquake: patients stutter, loop back, gap out, break in with non sequiturs, change the subject, and weep.
Imagine trying to pick up the pieces of a smashed mirror. You’ll never be able to do it in the precise order or radius in which they scattered.
You’ll pick up what you can, according to the energy you have. You’ll cut yourself in the process. It will take a long time, and what you put back together will never be complete.
Problem: journalism and the law often cooperate to enforce a general societal demand that disregards this reality of the trauma story.
We ask the trauma survivor who chooses to tell their story to present something like a news story or a legal writ. We want it scrubbed of jagged emotions. We want them to present the mirror of their continuous self as though it had not been smashed.
This demand is so unreasonable, so tone-deaf, that the person trying to pick up those pieces can be easily discouraged, humiliated by the mess that somehow they must make whole again for it to be heard, let alone believed.
We say that we hope the trauma survivor is working this all out in therapy, without realizing that the way in which we listen may be playing a critical role in whether it can be worked out at all.
We don’t understand that our responses can have a direct impact on the accessibility of those memories. A denial or deflection from the listener can easily and shamefully reinforce the very repressions of denial and deflection that the speaker is trying to break through.
Most of us are neither journalists nor lawyers. But we can all be better listeners through this single practice: when you hear the beginnings of a story that sounds like it is conveying trauma, don’t interrupt. Not with questions, contexts, challenges, equivocations, or it-can’t-be-that-bad-isms.
Try to imagine that you’ve started to eavesdrop on someone picking up those shards. You can’t see the shards, and you’d need some professional training to help the person in any explicit sense.
The very least you can do is stay out of their way, and let them know you are listening. A further step would be to indicate you understand how much it costs them to speak at all. It may be hurting them to speak.
If all you can offer is a fraction of the time and space that was stolen away, that’s really something.
Note: I am not a trauma specialist or trauma counsellor. I’m I writer who has been interviewing people who have had adverse experiences in yoga culture, in support of the WAWADIA project. For qualified trauma-sensitive support and training in yoga modalities, check out the work of Molly Boeder Harris, Tiffany Rose, and Hala Khouri, to name just a few. Also: although I did not see this (or any similar) article prior to working with the mirror metaphor, I am not the first to use it in this context.