Enough people have asked me my thoughts about Byron Katie and “The Work” that I’ll give a few here in relation to the following video.
In it, Katie “helps” a woman understand that her fears of the Trump administration are unwise, with an undercurrent of “deluded”. Katie does this using several techniques of charismatic dominance. This is ironic, to say the least. Continue reading “Byron Katie’s Domination Technique: a Case Study”
I want to push back a little against an inaccurate and often cruel stereotype of the 200-hour YTT graduate that’s been gaining steam in Yogaland over the past couple of years.
It frames out like this:
The recent YTT grad (80% likely it’s a “she”) is millennial, hasn’t practiced for long enough to be taking a training to start with, thinks that shapes are the point and has the Insta account to prove it. She got conned by a McStudio into signing up for a watered-down curriculum and is being taught by only slightly older entrepreneurial hacks who needed to run a programme to make their rent. Her knowledge of biomechanics is scant and of yoga philosophy worse. She has no connection to the “sacred”, and believes that yoga is a personal lifestyle choice, indistinguishable from fashion. Continue reading “Against the “Recent YTT Grad” Stereotype”
“Art is useless because its aim is simply to create a mood. It is not meant to instruct, or to influence action in any way. It is superbly sterile, and the note of its pleasure is sterility. If the contemplation of a work of art is followed by activity of any kind, the work is either of a very second-rate order, or the spectator has failed to realise the complete artistic impression.” – Oscar Wilde, letter to young artist
“What’s the difference between the ‘functional mover’ and the productive citizen?” – Theodora Wildcroft, via Skype
In this highly polished Iyengar tutorial, the instructor is obviously hyperextending her knees. She leans back, exquisitely, into her ligaments. She rests there for an appropriately penitential interval. Distended and refreshed, she eases out. The students follow suit. Continue reading “The Sublime Uselessness of Old-School Asana”
I grow old … I grow old …
I shall wear the bottoms of my trousers rolled.
— Eliot, “Love Song of J. Alfred Prufrock”
J. Brown makes transparency in the yoga biz bittersweet. He consistently points to the sorrow in the shadow of yoga marketing: perpetual change, impossible economics, anxious upselling, getting older, seeing through the dross, living with pain.
A few days ago I critically Faceposted an infomercial featuring a Jivamukti Yoga School teacher demonstrating a series of assists on a fellow teacher as she glides through a sun salutation. Presented as appropriate for all teachers, the technique was classic Jiva, featuring hovering, intimate, near-constant touching. It was totally consistent with what’s presented in the 2014 manual Yoga Assists, co-written by Jivamukti founders Sharon Gannon and David Life along with Michael Roach.
Also consistent with the book, the video opens with and sustains a key omission. It offers no contraindications for the body-contact-heavy encounter. There is no discussion of individual needs or student consent, and no indication of any formal attention paid to the fact that touch can traumatize or re-traumatize as much as it can facilitate healing. Thankfully, unlike the book, the video doesn’t get into how the teacher should read the students chakras and use these assists to help them purify their karma.
The video may not be the best PR move for a company dealing with the fallout from a recently-settled sexual harassment lawsuit. Especially when the plaintiff claimed in an interview that the advances of the sued teacher weren’t limited to the bedroom, but also communicated through intimate adjustments in class. But the criticism in my post stayed away from all that, to focus on the simple absence of basic disclaimers.
I tried to be careful not to implicate the presenters directly. It seemed clear to me that they were doing exactly what they were trained to do. The video gave me no reason to doubt their good intentions. They were competently and artfully offering a technique that is standard across the Jivamukti platform, as many commenters confirmed. I was taking aim at the message of the presentation, not the presenters.
This post might mark a shift of this blog into firmly opinion-column/commentary territory, as a lot of what I’m working on now beyond book projects is mostly higher-stakes investigative journalism, and when I publish on a corporation like Jivamukti, for example, it needs to be on a U.S. site with a U.S. server, because libel laws in Canada are pretty stiff. Here I can be sued on the premise that I’ve harmed a company’s reputation, even if the reporting is accurate. Because the major paying publications in the U.S. yoga world have turned down these articles and I have no independent liability insurance I’m grateful to Be Scofield at Decolonizing Yoga for taking them on.
I’ve published four articles on the now-settled sexual harassment case against the Jivamukti Yoga School. One about what the plaintiff actually had to say after the school essentially called her a liar, one on how JYS and other yoga groups use silencing tactics when complaints emerge (including the failure of the Ashtanga world to address the open secret of their guru’s sexual harassment), one on how the case has provoked a powerful discussion about the need for trauma-sensitivity training in yoga culture generally, and a fourth on how JYS and Michael Roach, the charismatic and controversial American Buddhist leader, exchanged both form and content from 2003 to 2012.
This post is about a side-issue that’s emerged in the online dialogue surrounding these articles. Continue reading ““But He’s Not Erect”: Rationalizing Videos and Lies”
Creative Director Daniel Harmon is talking about the viral commercial he and three of his brothers produced for Squatty Potty.
But he could also be talking about how capitalism is dealing with climate change.
“The big challenge for us was taking the really gross world of the colon to a place that was clean and fantastic and friendly and approachable. And delicious, for lack of a better word.”
B.K.S. Iyengar would have been 97 on Monday, and Google honoured him on the home page of globalization. The guru, rendered in cartoon avatar, doodled through pigeon, triangle, and headstand twists. The illustrator gave him the silver mane of his elder years, but also the litheness of his youth.
My first reaction was cozy. “Google” can still be a fun word, and who doesn’t love the doodle? The white page implies a wintry playground, and the brown stick figure sweeps angels into the snow of search-engine possibility.
For a moment, I felt a warm sigh roll through me: “The practice is truly for everyone. Yoga has come of age.”
But what age?
An age in which it makes perfect sense for techno-capitalism to co-opt yoga as its go-to religion. In which a virtual power aligns with an embodied practice to foreshadow its plans to reach into our very breath and cells with its web-crawlers. Continue reading “Guru Google”
Last updated: December 6th.
Liquid Facts, Solid Derision
On Friday, November 20th, the Ottawa Sun broke a story that went viral. The global backlash has distorted and minimized an issue that South Asian thought leaders in yoga culture have been grappling with for years.
“Student leaders have pulled the mat out from 60 University of Ottawa students,” the story began, “ending a free on-campus yoga class over fears the teachings could be seen as a form of ‘cultural appropriation.'”
The class was administered by the student-run Centre for Students with Disabilities (hereafter “Centre”), under the umbrella of the Student Federation of the University of Ottawa (hereafter “Federation”).
“Jennifer Scharf,” the piece continued, “who has been offering free weekly yoga instruction to students since 2008, says she was shocked when told in September the program would be suspended, and saddened when she learned of the reasoning.”
The Sun reported that Scharf was told via email that:
“Yoga has been under a lot of controversy lately due to how it is being practiced,” and which cultures those practices “are being taken from.” The centre official argues since many of those cultures “have experienced oppression, cultural genocide and diasporas due to colonialism and western supremacy … we need to be mindful of this and how we express ourselves while practising yoga.”
In a phone interview with me, Sun reporter Aeden Helmer clarified that these quotes came from a single participant in a 17-page email correspondence between the Centre, the Federation, and Scharf that ran from September through November.
The Sun article concluded with the comments of Federation official Julie Seguin, which argue against the validity of the cultural appropriation reasoning. Helmer confirmed via email that Seguin’s quotes were drawn from that same correspondence, which suggests that the Centre and the Federation were not in agreement on the issue as it was being discussed. Continue reading “Yogagate: The Downward Dogwhistle Story”
An earlier version of this article first appeared in Yoga International.
The 2010 publication of Yoga Body: The Origins of Modern Posture Practice, marked a watershed moment in the history of global asana culture.
What was the big deal? A writer equally committed to research and practice produced a work of academic scholarship so rich, accessible, and interesting it quickly broke into the non-academic reading lists of enthusiastic practitioners and top-shelf trainings in the English-speaking world.
Mark Singleton’s book sparked countless conversations about the meaning of social authenticity in a practice meant to reveal personal authenticity. It revolutionized the genetic view of yogic transmission – in which instructions are handed down unchanged across generations and postcolonial boundaries – with epigenetic considerations of cultural, historical, and technological influence.
It showed that yoga is not an artifact, but an organism, and that its teachers may be less guardians of the essential than they are curators of the useful. Continue reading “Mark Singleton Responds to Critics Who Didn’t Want to Understand His Book”